A Quote by Jimmy O. Yang
The great thing about the comedy world is that everybody is somewhat of an outsider. That's the community where outsiders feel like they're insiders.
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The Church must stop expecting outsiders to act like insiders while insiders act like outsiders.
One thing you learn about doing nonfiction is that you've got to get it right, fact-check, do your research. You've got to not only get the facts right but represent the subject to the world in a way that insiders feel like it's an access port and outsiders can access it. If you're too insider, you block access to anyone else.
Things are difficult for outsiders in the industry, and it is very evident, too. It does not mean that insiders have it easy or that it's impossible for outsiders to break in. More often than not, the difference is about how successes and failures are viewed and magnified.
Writers are outsiders. Even when we seem like insiders, we're outsiders. We have to be. Our noses pressed to the glass, we notice everything. We mull and interpret. We store away clues, details that may be useful to us later.
I tend to write about people. I look at things from the bottom up and from the perspective of outsiders. A part of me just identifies with them. It's my messed up internal nature that I always feel like an outsider. It's just my nature. At film festivals, I was an outsider for sure, but I always felt like one as well. I have that feeling at parties, too. I don't belong there.
Great Canadian comics are often outsiders and insiders at the same time. That's a great perspective for a comedian.
I think a lot of us go through a period where we feel like outsiders, and deal with that by wishing we were insiders. So that was the emotional core of American Born Chinese.
[G]overnment endorsement . . . of religion . . . sends a message to nonadherents that they are outsiders, not full members of the political community, and an accompanying message to adherents that they are insiders, favored members of the political community.
I felt like an outsider, so listening to a bunch of outsiders' music like Bjork and Patti Smith made me feel better. But at the same time, I didn't have anyone singing specifically 100% about things I could relate to.
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
I've always felt like an outsider, and I'll probably continue to always feel like an outsider. Hopefully that's a good thing. I feel like I approach things differently than other designers.
Everybody think they're an outsider - that word's over! When I was young, being an outsider, I thought it was a bad thing you didn't want to be.
The Jewish culture has a wonderful thing about education. It has a great thing about family; it has a great thing about unity, hard work, dedication. I would like to say the African-American community should emulate that.
I was very fortunate. I had a great group of friends in my life, and family, and so I felt a sense of safety and belonging that ... as you grow older, you realize that not everybody does feel that. And there's particular certain groups of kids who always feel like outsiders. But I was very fortunate.
The great thing about this is, and not to pump my own tires, but I feel like I'm not maximized yet. I feel like I can still run faster, jump higher, which I think makes it special. Hopefully, going to London, I'll be welcomed into the decathlon community.
The only thing I knew in the world as a little kid was comedy. And no other kids in my school cared about it at all. There was no one to talk about it with. You know, we're in a geek culture now where comedy is so giant. I'm one of the people that, you know, works on Funny or Die. And there is just a giant culture of comedy nerds. But back then, I was alone, and I had a little confidence about it because I felt like, this is my thing, this is the only thing that only I know about.
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