A Quote by Jimmy O. Yang
I obeyed my parents' rules inside our Chinese household while I pursued my dreams in the American world outside.
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We are several people fitted inside each other. Chinese boxes. Our bodies are the outside box. Or the inside one if you like.
Americans have always pursued our dreams within a free market that has been the engine of our progress. It's a market that has created a prosperity that is the envy of the world, and rewarded the innovators and risk-takers who have made America a beacon of science, and technology, and discovery. But the American economy has worked in large part because we have guided the market's invisible hand with a higher principle - that America prospers when all Americans can prosper. That is why we have put in place rules of the road to make competition fair, and open, and honest.
When I was a boy, I choked on a piece of candy outside the kitchen window for a few minutes while watching my parents making dinner. I thought I was going to die, but I didn't want to scare them. Our existence was so separate, a dying and a doing well, an outside and an inside. Trey Moody's poems hover in that cold, wet, refrigerator-lit place between the dying and the doing well, the outside and the inside. His poems are the thoughts of the person you love who is always standing behind you, slowly and silently suffocating. But they're not afraid to say hello, and please, and I'm scared.
I think we all are born inside of our parents' narratives. We stay there for a good while. We are taught their narratives about everything: their marriage, the world, God, gender, identity, etcetera. Then, at some point, our own narrative develops too much integrity to live inside that story. We don't ever fully escape it, but we move into our own stories.
The example my parents set, both in and outside of our household, helped me understand that we all have a specific purpose in life--to give back to society.
While the debate over banned books usually seems to happen just outside the gates of government, it takes on a new danger and urgency when legislators get involved. Their actions cause voices to be silenced both inside and outside the books. That's un-American.
If you're building a fantasy world that exists outside of the rules of our real world, why would you write it to conform to the rules and binaries that we have today? Why still limit yourself?
I have believed for a long time that human nature is a reciprocity of what is inside the skin and what is outside: that it is definitely not "rolled up inside us" but our way of being one with our fellows and our world. I call this field theory.
Our world does not exist from its own side--like a dream world, it is a mere appearance to our mind. In dreams we can see and touch our dream world, but when we wake up we realize that it is simply a projection of our mind and had no existence outside our mind. In the same way, the world we see when we are awake is simply a projection of our mind and has no existence outside our mind.
While I was growing up in Flushing, Queens, we socialized exclusively with other Chinese immigrants. I was forbidden to make contact with nonapproved, non-Chinese peers outside school. That was fine with me.
We will rebuild our country with American workers, American iron, American aluminum, American steel. We will create millions of new jobs and make millions of American dreams come true. Our infrastructure will again be the best in the world. We used to have the greatest infrastructure anywhere in the world, and today, we are like a third-world country. We are literally like a third-world country. Our infrastructure will again be the best, and we will restore the pride in our communities, our nation.
My experiences growing up in both a Chinese American household and the Catholic Church define much of who I am.
When listening to the sound material, we metamorphose the inside into an outside. This notion of metamorphosis is one of the principles that leads the course of the musical suite, reflecting changes (fluidsolid passages: water/ice/fire) or movements (ebb/flow/wave, inspiration/expiration) or inside-outside passages (door/individual/crowd). Thus, the perceived object is not entirely what we would have liked it to be. Our music brings us closer to some while it takes us away from others: each with their own inside.
I think I was always informally thinking about choice from when I was a very young child because I was born to Sikh immigrant parents, so I was constantly going back and forth between a Sikh household and an American outside world, so I was going back and forth between a very traditional Sikh home in which you had to follow the Five K's.
What really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside.
If you don't have a bed, or a dresser or a wall, or a book or a toy you are oppressed. An African American in a white world. A Jew in a Christian world. A gypsy. A Native American. A Chinese American. Let's say, you were born deprived.
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