A Quote by Jimmy Page

I don't want to get too dippy about all this. If you take the view of the scientist and everything is in a state of vibration, then every note is a vibration, which has a certain frequency, and you know that if you put 40 beats into a frequency it's going to be the same note every time. You take that into infrasound and people can be made to be sick, actually killed. Taking it the other way, not to be too depressing, what about euphoria, etc., and what about consciousness being totally... no, I won't go into that one. Time warps.
It's good to remember often, every day, that you are not a physical creature in a physical universe; but a non-physical consciousness vibrating at a certain frequency. You are Consciousness having a state of being, that's it. Everything else you perceive is simply an illusory crystallization of your chosen vibration. You are the Creator of your life, in this way.
Playing live is about going for it .. it's about bringing it ... you should see a bunch of people trying out stuff, actually performing, instead of learning the record and recreating it note for note. I can't play the show the same way every night .. I really need to be in a creative environment, every night or I'll go nuts ... my manager accuses me of singing just long enough to get me to my next guitar solo - which is true.
Almost every time I go to the ocean, I think about throwing my phone right into it. Sometimes, you pull that thing out of your pocket, you look at it, and you're like, 'What was I just going to do with this? Was I going to take a note? Was I going to check my email? Was I going to take a picture?'
For a second we just stand there in silence. Then, suddenly, Alex is back, easy and smiling again. “I left a note for you one time. In the Governor’s fist, you know?” I left a note for you one time. It’s impossible, too crazy to think about, and I hear myself repeating, “You left a note for me?” “I’m pretty sure it said something stupid. Just hi, and a smiley face, and my name. But then you stopped coming.” He shrugs. “It’s probably still there. The note, I mean. Probably just a bit of paper pulp by now.
If I have to hold a note for a long time, I imagine it as moving and spinning, for the note has to have life. In a way, a singer actually refreshes a note with every beat that it's held.
Usually when you're playing with other people in not such a reverberant room, you have to be quick on your feet and think about stuff really quickly. But inside the cistern, it was almost like I was at home on my computer arranging and taking time thinking about the next step, the next note. Instead, the room was my collaborator. I could hear the note and sit there and think. I could be arranging as I was going in real time, which was fascinating.
My thing with fans is, it's always about being really good to them and taking the time to take every picture. If there are 300 people, you should take 300 pictures - you shouldn't take 250 because then fifty people will go home sad. Why would you do that?
You cannot look at that which you do not want and not join and perpetuate that vibration. Take your attention from that which is not in harmony with who you are, and your "now vibration" will adjust to who you really are - and then you can uplift others.
Music sets up certain vibration which unquestionably results in a physical reaction. Eventually the proper vibration for every person will be found and utilized.
I think the fans, if you want to actually learn about us, I think you have to go way more intricate than just what you see on TV, because that's whatever they want to report. But it's just so much going on, and when you talk about being in our world you have to understand we're individuals too. We're not just athletes. No, we're fathers, we're sons. So when you put us through a job shortage you take away everything that we built.
There are certain things about my game I don't want to change, but I think it's about time that I realized I can't fight every battle. Three hundred minutes in penalties is way too many. Way too many.
Ideally we're going to stay at an American hotel. We just want to take every precaution. Because if you get sick out there, and you're playing in that hot sun and you get depleted, it's going to be a problem. So that would be the only other thing I think that athletes on a whole are going to be worried about. But again, we have to do our part and take every precaution and be smart.
I'd take about 40 thousand CDs, and then take about three full vans of people to hit every hood, every mall, and every club. Just hit one city to the next.
Every place on earth has a frequency. It's not good or bad, it's just the way it is, and if you can attune yourself to that frequency, then you can find comfort in that.
If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.
There is no formula to it because writing every song, for me, is a little journey. The first note has to lift you and make you go, 'What's this?' You play C, but why is it that one day it leads to G and it didn't yesterday? I don't know. It's everything. It's the walk you take in the morning, it's the night before, the meeting with people, landscapes, the chats, all of that evolves in some way into melody, but I'm not sure how it's going to happen. I'm dealing with the unknown all the time and that is exciting.
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