A Quote by Jimmy Page

There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That's a personal point of view but that's the way I see it. I think that's what it's all about. The drive, the fire, the passion - it all comes out on the guitar.
There are a lot of cases where I'm using, if not an acoustic guitar, an electric guitar more as a rhythm instrument. Rather than blasting away, I use it to create more of an acoustic feel.
When you break out the acoustic guitar, the words are the focal point unless you're the Jimi Hendrix of the acoustic guitar. So the words have to have meaning.
Like my best friend, I asked for drums for Christmas, and got them. But when he moved on to guitar, I realized two things: (1) guitar is a much more expressive instrument, (2) way more girls pay attention to guitar players than to drummers.
I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitar throughout all of the Sonic Youth periods. My material for Sonic Youth often started on acoustic guitar.
I don't see any rock stars playing an electric guitar from some new maker like you see in the acoustic guitar world.
Dorsey played the upright bass and steel guitar, as well as acoustic guitar. Johnny played acoustic guitar and together they were fabulous songwriters and singers.
I actually bought a travel guitar, and that guitar is really cool. You can actually fold the guitar, and you can plug headphones into it, but it's acoustic, or semi-acoustic.
If the guitar synthesizer is really going to stand as a synthesizer on its own, it needs to develop a more characteristic sound; I don' think it's gotten there yet.
I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.
In the '90s, I think I rediscovered my guitar. The Jam was obviously very guitar-based, but in the Style Council I just got really disillusioned with playing the guitar. The further it went on, the less and less I played, to a point where I couldn't pick it up any more.
I sit around and play acoustic guitar - usually acoustic, sometimes electric, occasionally piano, but more often guitar, just trying to come up with tunes. Ideas kind of pop into your head.
What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.
More than any other instrument, the relationship between an acoustic guitar and a microphone is super-important. The kind of mics that you use and your placement of the mics to the guitar can radically alter your sound.
I even played bass for a while. Besides playing electric guitar, I'd also get asked to play some acoustic stuff. But, since I didn't have an acoustic guitar at the time, I used to borrow one from a friend so I could play folk joints.
I'm not like other guitar players. In fact, I'm not even like most acoustic players because I use the nylon-string acoustic. I do play steel-string and the electric guitar, too, because I love rock 'n' roll and guitarists like Jimi Hendrix. But my bread and butter has always been the nylon-string.
For me it always comes down to what is a good song and I'm very old fashioned in the way that I like to make songs that have something classic about them whether you can play them with an orchestra or an electro synthesizer or an acoustic guitar.
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