A Quote by Jimmy Page

My finger picking is sort of a cross between Pete Seeger, Earl Scruggs, and total incompetence. — © Jimmy Page
My finger picking is sort of a cross between Pete Seeger, Earl Scruggs, and total incompetence.
I would get records by Earl Scruggs... I would tune my banjo down and I'd pick out the songs note by note. Learned how to play that way. I persevered. There was a book written by Pete Seeger, who showed you some basic strumming and some basic picking... And I kind of worked out my own style of playing.
Being from New York, I wonder why am I inspired by bluegrass and Earl Scruggs? But when I look at the whole history of the banjo, I feel really good about it, including the Earl Scruggs part.
Earl Scruggs wears two finger picks and a thumb pick, and by alternating them, he can play about as fast as he wants. So it's this action. You know, you couldn't move one finger that fast, but all three, it's pretty easy, and it's kind of an incredible leap.
I mean if it wasn't for Earl Scruggs, guys like me wouldn't be doing what we're doing. I mean, he's changed so many people's lives, honestly. I was thinking about all the thousands of people that live in Nashville, like myself, that there's no reason a guy from New York would end up down there if it wasn't for the sound of Earl Scruggs' banjo coming over the airwaves and just changing my life.
We all know the types who listen to Pete Seeger songs; even Pete admits they aren't interesting.
The bottom line is, between Sonny Osborne and Earl Scruggs, I better know how to play banjo. I had the greatest teachers in the world.
My musical heroes are people like Pete Seeger and Woody Guthrie who wrote and sang real songs for real people; for everyone, old, young, and in between.
It's made a lot of people richer from hearing Earl Scruggs. And I just think we're all very lucky to have him in the world.
I think Earl Scruggs playing propelled bluegrass and Bill Monroe's music to the level that - where we're all still talking about it.
I actually learned the guitar with the help of a Pete Seeger instructional record when I was 13 or 14.
My most powerful memory was hearing Earl Scruggs on 'The Beverly Hillbillies' as a 5 or 6 year old. That sound just blew me away, shook my head up.
People who get together, regardless of other structures, will find something in common. They are bound to. That was the Pete Seeger let's-all-sing theory.
I've always loved the songs of the sea. I was first introduced to them back in 1957, at the Old Town School of Folk Music. I used to go to Pete Seeger concerts, and he would do songs like 'Ruben Ranzo' and talk about how the sailors sang songs to do their work - to raise the anchors, pull up the sails and that sort of thing.
Earl Scruggs is the guy who really made that leap with using three fingers in a rotating fashion to create this fast rippling sound that had never been heard before.
I did admire the comments and the music of Pete Seeger and Woody Guthrie. And that didn't fly too well in the Deep South. It was not quite redneck enough.
Look em in the eye. Make a gesture of inclusion, which he did all the time. And above all, have a chorus. So I learned from Pete Seeger to have something for them to sing.
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