A Quote by Jimmy Page

You can't overthink the music. Mood and intensity can't be manufactured. The blues isn't about structure; it's what you bring to it. The spontaneity of capturing a speci?c moment is what drives it.
Photography is all about capturing a mood, a feeling. I feel a special connection with nature, often very powerful. This late afternoon was phenomenal. Standing on the edge of the ocean, I gasped in awe as the holy light illuminated this cathedral window. Witnessing such a moment and capturing it is what I live for. Mother Nature is so powerful, I never underestimate Her.
That speci?c remedy for the worldwide epidemic of depression is a gift called the blues.
Structure ignites spontaneity. Limits yield intensity. When we play... by our self-chosen rules, we find that containment of strength amplifies strength.
It's more about capturing an idea than about capturing a moment.
Music gives me a lot of peace, either classic music with its structure or the spontaneity of Miles Davis. It brings the best in you.
Everything comes out in blues music: joy, pain, struggle. Blues is affirmation with absolute elegance. It's about a man and a woman. So the pain and the struggle in the blues is that universal pain that comes from having your heart broken. Most blues songs are not about social statements.
I suddenly understood that photography can fix eternity in a moment. It is the only photo that influenced me. There is such intensity in this image, such spontaneity, such joie de vivre, such miraculousness, that even today it still bowls me over.
I always listen to music no matter what I'm doing. Music is definitely always something that drives the mood and creating and helps you lock that in and escape to a whole other world.
I think blues music is music of the soul. Of course, there are other forms. You could call some classical music blues music in that way.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
There's a lot of women in blues music, lots of strong women and that sort of stuff. It's not the first thing that comes to mind when you think about blues. There were a lot of powerful blues guitar players in the olden times that were women. It's just that when you think about blues, you have this one image in your mind.
When you're in a good mood, bring up the past. When you're in a bad mood, stick to the present. And when you're not feeling emotional at all, it's time to talk about the future.
I was always drawn to the roots music, bluegrass, blues, early rock - Sun Records, Elvis [Presley]. And I still love that music to this day. Memphis never gets the credit. It's much more musically rich than Nashville ever will be. Nashville manufactured that hokey-hillbilly image way back.
I just like to bring energy. I always try to create a moment. Memories are important to me, and I like my look to go with the mood or the moment.
Jazz and poetry both involve a structure that may be familiar and to some extent predictable. And then, you try to create as much surprise and spontaneity and feeling and variation while respecting that structure.
Nothing connects to the moment like music. I count the music to bring me back, or more precisely, to bring her forward.
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