A Quote by Jimmy Page

If you wanted to chart new territories and head off over the horizon, you had to make sure you weren't overly influenced by what others were doing ... so it didn't matter what other bands were doing ... we did what we were doing.
Billie Joe Armstrong of Green Day always says we were influences on him, because he does melodic but distorted, like what we were doing. The Ramones were doing it. We were doing it. The Buzzcocks, all those bands.
The only criterion we used in doing cover material was we wanted to do songs that we wished bands would play when we went out. We were doing Yardbirds and Rolling Stones cover songs-which is not any big deal, but where we were from, all we were getting were Top 40 bands.
All I really wanted to do was make an album that was going to be just back to what I like to do... And it was a coincidence that these new bands, this new wave of bands, were doing Alice and Iggy rock.
My parents had no interest in spending a lot of time with me. They were busy doing what they were doing, but they were not obnoxious. They were fabulous.
I was a woman and younger. I started spending a lot of time in the mall doing a lot of qualitative research and really watching what consumers were doing. Were they gravitating towards the sales racks, or were they looking at the new fashions? Were they there to shop, or were they there to socialize?
I was missing out on a lot of things that my friends were doing, but in another way, they were missing things I was doing. It was kind of a trade-off I had to make.
As I've gone through life, I've found that your chances for happiness are increased if you wind up doing something that is a reflection of what you loved most when you were somewhere between nine and eleven years old. [...] At that age, you know enough of the world to have opinions about things, but you're not old enough yet to be overly influenced by the crowd or by what other people are doing or what you think you 'should' be doing. If what you do later on ties into that reservoir in some way, then you are nurturing some essential part of yourself.
And then the industry itself was so cocky about what they were doing that they weren't seeing what was coming on the horizon with Japan and Germany and other places that were building smaller cars.
And wouldn't we be better off if every New Year's, we thought about the things we did right and we resolved to keep doing them, no matter how wacky they were.
A lot of my friends were mostly working in black-and-white-people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing. What each of us was doing photographically was entirely different, but we were basically coming from the same place, sort of like a club.
We were doing mobile games before the iPhone. We were doing free-to-play with 'Quake Live.' We wanted to do massively multiplayer stuff in the early days but didn't have the resources to do it.
When I was doing 'All in the Family,' half the time, I was looking at where the cameras were, where were the other actors in the scene, what the audience was doing.
To be honest, 'Ready Steady Cook' was a great opportunity, but I did compromise myself. I was stood there quizzing chefs on what they were doing when I knew exactly what they were doing and why.
Signing to a major, there weren't many bands from our sphere that were doing it. I mean, obviously R.E.M. had done it, and Husker Du and the Replacements had done it, and maybe Soul Asylum, but that was probably about it. Those four bands were pretty much the only ones from that milieu that had signed to a major.
People were very protective of me. Overly so. I was in the industry for a long time before I had any idea of what drugs people were doing.
I always had trouble being proud of how they were using me in WCW. It was hard for me to be interested in what they were doing, and what they were doing with me was pretty pathetic.
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