A Quote by Jimmy Page

You don't find geniuses in street musicians, but that doesn't mean to say you can't be really good. — © Jimmy Page
You don't find geniuses in street musicians, but that doesn't mean to say you can't be really good.
Orchestral musicians have a different approach than we do, and when I say 'we,' I mean musicians who don't know what they are doing.
Musicians don't respect a lot of the stuff that is on TRL and a lot of musicians think that stuff on the radio is not good musically so when musicians say that they like us it obviously feels good.
I really hate being recognised. I'm quite a shy person, and I'm not very good at talking to strangers. So when people come up to me in the street, I just find it quite awkward. I don't really know what to say to them.
There are street artists. Street musicians. Street actors. But there are no street physicists. A little known secret is that a physicist is one of the most employable people in the marketplace - a physicist is a trained problem solver.
To be honest, I've never looked really hard for musicians. I'll just randomly meet people. I've never interviewed bandmates or anything like that. The reason I like playing with Chad and Devin is that they're just really, really good musicians and good players. There's not a lot of sloppiness going on.
I will say that walking down the street, getting on the subway, taking the elevator, if there's one or two people and they say, 'Great job, Mayor,' that is a real turn-on. I mean, anybody that wouldn't find that satisfying, rewarding, exciting, thrilling - I think they should see the doctor.
I don't get so much inspiration from other musicians. Especially alive musicians. Late musicians are good - Bach, Beethoven - yes, good.
I get really sad when people say, 'I'm no good. I haven't been cast in a pilot.' It doesn't mean you're not good; it just means someone hasn't seen you yet. It doesn't mean that in real life you're not the greatest actor.
We need more responsibility, but we need it not just when there's a crisis. I mean, we've had years in which the reigning economic ideology has been what's good for Wall Street, but not what's good for Main Street.
As musicians and artists, it's important we have an environment - and I guess when I say environment, I really mean the industry, that really nurtures these gifts. Oftentimes, the machine can overlook the need to take care of the people who produce the sounds that have a lot to do with the health and well-being of society.
I have always wanted to play different kinds of stuff, but it's hard, first to find good material, and then to change people's perception of you so they'll let you do it. I mean, I would really like to play a poet, but once they get this notion of you as a street guy, it's hard to change that.
I do have a really good memory. I mean, like, I can remember all the phone numbers of everybody on the street I grew up on.
Say good-bye to Dodd-Frank and all of the financial reforms and efforts to try to rein in Wall Street. Just say good-bye to it. That means we can go where Wall Street gets to call the shots again. We saw how that worked out in 2008.
Geniuses come in many shapes and colors, and they often run in packs. If you can find one, it may lead you to others. Collaborate with geniuses. Send them your spells. Look carefully at theirs. What could you do together? Combination is creation.
MusiCares was really good to me. I can't say enough how MusiCares helps other people. They really, really helped me. They have the greatest groups and support for musicians in recovery.
Nobody's going to say hello to me in the street, really, because there'll be someone a bit more famous coming along the street in a minute. That typifies London, really.
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