A Quote by Jimmy Page
There's such a wealth of arts and styles within the guitar... flamenco, jazz, rock, blues... you name it, it's there. In the early days my dream was to fuse all those styles. Now composing has become just as important.
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I spent a few years here in Memphis, in the late '70s and early '80s, where I was studying a lot of country blues players and their styles. So it seems like every record I'll do, I will appropriate these blues styles that I remember.
There were a lot of different styles in the house - Motown, Led Zeppelin, Rolling Stones, jazz - and my dad played flamenco guitar. Soon I realized that bass was what was really grooving me.
The beauty of jazz is that it can accommodate all styles. You can take jazz and put rock in it, and it's still jazz.
The guitar is such an incredible instrument; it plays classical, flamenco, jazz, country, bluegrass, rock, acid, blues. You'll never see a clarinet playing Black Sabbath. But you will see a guitar in a clarinet band playing rhythm. It is the most popular instrument in the world; it is the one everybody loves.
I love writing, composing and producing music. It's what I enjoy doing most in life and I create so much material that crosses over so many different styles that it would be virtually impossible to release all under one name/project. That's mainly why I like to create aliases and work on production for other artists as well. It just make sense. I just want to be able to have an outlet for all the different styles of music that I like working in.
I discovered flamenco when I was 14, before I even got involved with jazz music. I was so crazy about flamenco music. I wanted to be a flamenco guitar player.
I was a virtuoso of all the folk-blues guitar styles by the time I reached 17.
I listened to classical guitar and Spanish guitar, as well as jazz guitar players, rock and roll and blues. All of it. I did the same thing with my voice.
That's the beautiful thing about the saxophone. It can peacefully coexist with just about anything - whether it's hip-hop, rap, rock music, pop, R&B or jazz, there's a place for the saxophone in all of those styles.
It was the early days of Rock 'n' Roll in this country. We were all struggling to learn music, it might be Country, Jazz, Classical, Blues or even Rock 'n' Roll.
I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.
Every violinist has a different style, so it's important to be able to recognise their styles. You don't have to like everyone's style but you have to know these styles.
Rock 'n' roll guitar came from blues guitar. It was the blues guys who first turned the amp up and started whacking on the Stratocaster and a Les Paul. It wasn't the country guys and it wasn't the white guys; it was the Blues guys. That's where the real fire is in all of this rock and roll music.
For guitar players especially, blues is the foundation of rock and roll. You take country music and rock and roll and jazz and you mix it together, and that's my basic makeup.
I don't think there's any music that you hear on the radio today that would be possible without Jimi Hendrix. Rock, blues-rock, heavy metal, any guitar stuff when you get right down to it - Jimi did it. He's certainly the guy who basically invented the blues-rock genre for guitar players.
I remember the first time I was booked into a jazz club. I was scared to death. I'm not a jazz artist. So I got to the club and spotted this big poster saying, 'Richie Havens, folk jazz artist.' Then I'd go to a rock club and I'm billed as a 'folk rock performer' and in the blues clubs I'd be a 'folk blues entertainer.'
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