A Quote by Jimmy Page
Actually, I'm getting one made up with eight necks and I'm going to get a wheelwright to make a big rim around it and then I can do cartwheels off the stage.
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When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
If you are going to make a change, make it big and bold. Walk up to the biggest guy on the block, stand in his face and get it started. Then go around, brigade by brigade, making it make sense.
Unfortunately, rim protection is really difficult these days with the rules that there are if a guy is getting downhill. It's very hard even if the center is back to handle that. You have to cut off penetration at the start with a strong perimeter and then get the rebound and get out and go.
It's easy for me not to go to Mass on the road. But I've made a fundamental decision. I'm going to be dedicated. I'm going to make the time. I'm going to get up, if that means getting up at seven on a Sunday morning before a day game and do it, I'm going to do it.
The SheBelieves was my big moment, my big breakthrough. We had to get on that platform, hold that trophy, and have that medal around our necks.
I don't have a drawer full of ideas. I kind of look around and take notes and wonder what could actually be a whole movie. And each time, I think I'm going to do it more commercial this time; I'm going to get a big budget and make it. But I always come up with some small idea.
I ended up getting kicked out of my house when I was 16, and I went off to college. When they actually saw that I was getting some kind of stability as far as having a career in this business is when they started coming around.
There's a feeling of elation that comes after getting off stage and then there's a feeling of utter sadness that comes after getting off the stage.
As a singer-songwriter who gets up on stage and sings about those things that make me vulnerable is an amazing experience. You get up on stage and effectively take your clothes off in front of thousands of people.
I was born in Northern California and lived there until I was about eight years old. Then my parents moved me up to Seattle. I lived there from ages eight to 16. When I was a California kid, I remember running around in my bathing suit and barefoot all the time and getting a suntan.
You always get nervous on stage because when you get up there, you want to do great. The crowd has you pumped up so there are always a little bit of butterflies. That's all part of it. But as far as getting stage fright, clamming up there, not generally, I just enjoy it on stage and have a great time.
Believe it or not, I loved my Jheri curl and thought it was beautiful on me. It actually made my hair grow like crazy. What they didn't tell you back then was that once you get the Jheri curl, there's no way of getting rid of it, so when I was over it, I ended up having to cut off all my hair and start all over again.
A lot of people have their big dreams and get knocked down and don't have things go their way. And you never give up hope, and you really just hold on to it. Hard work and perserverance. You just keep getting up and getting up, and then you get that breakthrough.
I didn't really have an act per se - a theatrical performance, as opposed to just: here I am, folks, and you're all supposed to be dead quiet while I sing eight or nine songs, then get off the stage.
The big difference I think between tv and stage is definitely the immediate buzz that you get. And that's not just as an actor, as an audience member you're getting the chance to have this kind of two-way process where the actors and the audience are experiencing the same thing. With tv you often have to wait months and months down the line to actually get the pay-off. Whereas with theatre it's a very immediate thing.
I always messed around a little bit growing up, just shooting with my left hand, but now I'm actually getting real work in with my left hand. I think it's going to be a big help.
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