A Quote by Jimmy Page

I was always good at hearing complete arrangements in my head. — © Jimmy Page
I was always good at hearing complete arrangements in my head.
I've always, always, always listened to music since I was, like, 7 years old and made up stories in my head based on what I was hearing.
I always remind Quebecers: hey, wait a minute - federalism works. If you look at the fiscal arrangements, the economic arrangements, the way the country works, if you compare it to other countries in the world, it's quite advantageous for Quebec.
I didn't really hear any other music other than what my dad was working on until I was 12. My recollection of hearing other music was that I liked some things that I heard but I always thought, 'Where's the rest of it?' It didn't have the same amount of detail or instrumentation or imagination in the arrangements.
A sea of red lights, and I slow down. My job now is to gather everyone together and tell them we have to let her go. I won't tell anyone over the phone, because I didn't like hearing the news from the doctor that way. I have maybe a week to handle the arrangements, as the doctor said, but the arrangements are overwhelming. How do I learn how to run a family? How do I say goodbye to someone I love so much that I've forgotten just how much I love her?
I can write the stuff and play it myself and have something in my head, but the best feeling is when somebody else plays it and they're hearing something other than what I'm hearing.
I always say that to compose is to think. Playing is good, it's useful, but it's how your intellect puts the ideas together that will bring hands to write or to play. So, it's really a combination of many things; hearing sounds, hearing layers of counterpoints, of chords.
We provided complete protection to witnesses - right of attorney, right of record, right to cross-examine, and open hearing if they desired. Only Mr. Lane asked for an open hearing.
Speak up,' says Myrna who has a fuzzy white caterpillar of a moustache. 'My hearing's not so good.' 'I WAS SHOT IN THE HEAD.' Liz turns to Thandi. 'I thought you said you didn't remember how you got the hole in your head.' Thandi apologizes. 'I just remembered.' 'Shot in the head!' Florence-scratchy-voice says. 'Oy, that's rough.' 'Aw, it's nothing special. Happens pretty regularly where I'm from,' Thandi says. 'WHAT?' asks Myrna with the moustache. 'Say it toward my left ear, that's the good one.' 'I SAID, "IT'S NOTHING SPECIAL,"' Thandi yells/
I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
Most of the time, I write songs with the arrangements all at once, in my head. There's the producer side of me that's always thinking sounds, like, 'Wouldn't this be a great sound if it existed to put in front of a song, to open it up, and then, when it did its thing, something else would happen?
The social arrangements that produce responsibility are arrangements that create coercion, of some sort.
I've always been drawn to all kinds of music - to me, it's all the same. There's different arrangements and slightly different ways of writing, but if it's a good song, it's a good song - you can dress it up any way you like.
People are always saying, 'You're really nice, I thought you were going to be a complete asshole.' I'm getting pretty fed up with it. I just want to say to them, 'Well I could always piss on your head.'
To apply poetic license or to apply incorrect arrangements requires the idea or the understanding of correct arrangements - becoming an expert of the conventions of correct arrangements in order to misplace them. In other words, misplacing things with the understanding, or even the mastery, of normalcy is actually quite poetic. These are rule-based operations.
I study people all the time. For some reason, we're not very good at seeing what's there or hearing what we're hearing.
I've always believed in good music over bad music. I believe in two sorts of musics. And the lines that separate us, I don't believe in that. That's for people who need to easily define what they're hearing. Me, I'm cool with everything and anything I'm hearing that's music. It comes under one definition for me.
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