A Quote by Jimmy Page
I can understand why we got bad reviews. We went right over people's heads. One album would follow another and would have nothing to do with what we'd done before. People didn't know what was going on.
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Well, Led Zeppelin IV! That's it really. I'll tell you why the album had no title - because we were so fed up with the reactions to the third album, that people couldn't understand why that record wasn't a direct continuation of the second album. And then people said we were a hype and all, which was the furthest thing from what we were. So we just said, `let's put out an album with no title at all!' That way, either people like it or they don't... but we still got bad reviews!
I just don't know artistically - because I don't write my own music - I don't know artistically what an album would mean for me. I don't know what I would want to say with an album that would be unique to me - something that hasn't been done before. I'm just not sure what that is. But I'm absolutely open to it.
When I was growing up, I would listen to a different album almost every night. I would do the full album experience before I went to bed and that's how I would discover a lot of music. I would kind of go into another world with my headphones on.
That was an idea of the record company, and also that was my first album after MCA and we wanted to come back with a strong album that would be noticed. If we put the vocals by very talented people and very meaningful songs, then the vocals would be a platform so that I could be noticed again. All of the MCA albums were just loaded with problems -- you know, the right musicians, the engineers. The record company would say 'You have to make music for black radio, you can't do what you have been doing with The Crusaders.' Everybody was telling me that was over, finished, done.
What was great about the 80s was that you still had record companies who would get behind developing you as an artist. You had these bonkers heads of department and A&R people who, even after a flop album, would let you make another one.
You know, some people got no choice, and they can never find a voice, to talk with that they can even call their own. So the first thing that they see, that allows them the right to be, why they follow it, you know, it's called bad luck.
In the Middle East, we have people chopping the heads off Christians, we have people chopping the heads off many other people. We have things that we have never seen before - as a group, we have never seen before, what's happening right now.The medieval times - I mean, we studied medieval times - not since medieval times have people seen what's going on. I would bring back waterboarding and I'd bring back a hell of a lot worse than waterboarding.
I asked myself what Palestinians would do if Israel disappeared-if everything not only went back to the way it was before 1948 but if all the Jewish people abandoned the Holy Land and were scattered again. And for the first time, I knew the answer. We would still fight. Over nothing. Over a girl without a head scarf. Over who was toughest and most important. Over who would make the rules and who would get the best seat.
If I had the good fortune of having the ability to influence people all over the world every time I spoke, I would do my best to make sure people understood why the United States of America is special, and then I would suggest that everybody who wants to come here, "I don't blame you, fine and dandy, there's a legal mechanism for this. We're not denying people the right to come to our country. There's a legal way to do it." That's another thing people forget.
Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.
I don't even know why somebody's Twittering as me. I don't understand it, and I wish that it would stop. But there's nothing that can be done. It's so terrible.
I find the English amazing how they got over 7/7. There were no multiple memorials with people sobbing as they would have been in America. There, they are constantly scaring people, but at the same time, people think nothing of going to see a therapist.
What matters is that in this Iraq campaign that we clarify the different points of view. And there are a lot of people in the Democratic Party who believe that the best course of action is to leave Iraq before the job is done. Period. And they're wrong. And the American people have got to understand the consequence of leaving Iraq before the job is done. We're not going to leave Iraq before the job is done and we'll complete the mission in Iraq.
I absolutely want and prize and love and revere every single media review I get, but if I got 50 reviews from major newspapers and one review from Amazon, I still would feel a little weird: 'What's going on? Why aren't people responding?'
Another train will come. Why rush? Why worry? Why go crazy? Another train will come. And sure enough, another train going my way was pulling into the station. My bad mood evaporated. I entered the car smiling, certain that there would be more missed trains in my life, more closed doors in my face, but there would always be another train rumbling down the tracks in my direction.
I get over bad games right away. Sometimes I've let it go even before I've left the mound. That quick. Why? Because it's over. What can you do about it? Nothing. The only thing you can do is fight if you're still in the game. After that you can do nothing.
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