A Quote by Jimmy Page

If you write a written book, you're gonna get slowed up by lawyers wanting to see what you say about this person, that person - I couldn't be bothered with it. — © Jimmy Page
If you write a written book, you're gonna get slowed up by lawyers wanting to see what you say about this person, that person - I couldn't be bothered with it.
I'm hardly the first person to say that you've [Jeffrey Rosen] written a book about a person who has more to say about the current state of being than almost anyone, Louis Brandeis, and yet nobody is talking about Louis Brandeis.
I am a person that is very curious about what is going on in the world and there are a lot of subjects to write about, you meet a lot of interesting people. But one idea will be there and it will show up without any logic. It is a book that has been written in my heart before it is written into sentences.
Lawyers don't serve everyone... Lawyers right now can say, 'I'm not the person to help you on that issue; I don't agree with what you're trying to do;' and they can turn down that person, and they can go somewhere else.
If you don't write the book, the book ain't gonna get written.
If I was gonna write a book that was true, and I was gonna write a book that was honest, then I was gonna have to write about myself in very, very negative ways.
When you say to a person of colour, 'When I see you, I don't see you Black; I just see everybody the same' think about that. You don't have the right to say to a person, 'I do not see you as you are; I want to see you as I would be more comfortable seeing you.'
I don't get bothered by people saying what they say. I'm a happy person and I'm happy with my looks. I'm not an insecure person. I believe if somebody chooses plastic surgery it should be for themselves, not for anyone else.
If you want to write about a person who isn't nice, people say, "This is a bad book. It's about somebody I couldn't stand." But that's not the point. You don't have to like a character to like a book. Most of the time, people would misjudge and say, "I didn't like the book." No, you didn't like the character. That doesn't make it any less interesting of a book. In fact, to me, it makes it more interesting.
I don't really think about roles - "dream roles." It's always about who's gonna be the person on the screen or who's gonna be the person on the stage and who's gonna direct it and put it all together.
When you pick up a book, everyone knows it's imaginary. You don't have to pretend it's not a book. We don't have to pretend that people don't write books. That omniscient third-person narration isn't the only way to do it. Once you're writing in the first person, then the narrator is a writer.
The real Mike is somebody who is a positive person, a generous person. A loyal person. Somebody that's gonna help you if you call me up and say, 'Mike, I got a flat tire.' I'm there, you know?
It's not about you, it's about the next person. The single best use of a business book is to help someone else. Sharing what you read, handing the book to a person who needs it... pushing those around you to get in sync and to take action-that's the main reason it's a book, not a video or a seminar. A book is a souvenir and a container and a motivator and an easily leveraged tool. Hoarding books makes them worth less, not more.
I'm happy that I wrote 'How Should a Person Be?' and I wouldn't have written that exact book if we had just done the play. So much of the book is about the anxiety of failure - the failure of the play and the failure of the divorce and the failure of not feeling like a good person.
Often something comes in from which you can see that the person is good, the book may not be perfect as it is, and the person doesn't want to do a re-write. That's something we do almost nothing of.
The biggest idea that I have learned - I basically went in to write a book about Adam and Eve, ended up writing a book about love. And what did I learn? Love is a story you tell with another person.
My first book was about grappling with my identity and transitioning medically and socially as a young person. At that point, it hadn't been told yet. There wasn't a trans memoir that was written from the perspective of a young person that transitioned.
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