A Quote by Jimmy Page
I prefer to hear an artist's work and what they can do, so as far as I'm concerned, I'd get a lot more out of a collection of songs to be able to understand what the musician is doing.
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There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
I prefer the word 'musician.' I'm a musician and a composer. I have a problem with the word 'artist.' I don't know if it's the same in English, but words like 'artist' and 'star' put people on a pedestal, which is not really good for my brain.
I'm doing more deep listening, which is part of the role or job of the songwriter. I think with a lot of songwriting, songs sing themselves to you tonally and also lyrically. And it's not necessarily your own visual memories that are writing the song. It's like there are words that you can catch out there and you have to be able to see and hear them.
I decided that the whole idea of what it means to be an artist was that somehow you are ontologically oriented toward poverty : "As an artist, you don't make money." I had to figure out some kind of way to guarantee that I'd be able to continue doing the work that I wanted to do, whether I made money from the work I was doing or not.
What the artist wishes to do — as far as you are concerned — is to take you out of yourself. As far as he is concerned, he wishes to express himself.
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
There are a lot of people out there doing cool work. I went to South Africa with Talib Kweli and the Roots for a couple of weeks. And even a lot of the groups that aren't called 'political' or 'revolutionary' have a lot more to say than what you hear on the singles.
It does not matter whether we burn fossil fuels with malice or with love. As far as the atmosphere is concerned, it is not concerned. It is a collection of gases.
I feel more at home in London than in Los Angeles, definitely. If I could have my choice, I certainly would live in London as opposed to LA. I just prefer it here. But I love the work and in LA there's just so much more of it, and as an actor you kind of have to go where the work is. Luckily, I've been able to get the work out there. If work brings me back here, and a project is here and I can do it, I'll jump at the chance.
You might be able to get a certain sound, and in the studio you certainly look at things under a microscope a lot more. You might hear more warmth out of a thicker string gauge. But in the practical world, like with us, we're playing An Evening With... so it's three hours of music, and our music is pretty challenging as far as the technical aspect. And I found after awhile that I was killing myself.
I work hard at that, but the fact that there are a lot of good songs means there are also a lot of really bad songs I've written that you never hear.
I was writing a lot of true love songs-true love almost gone wrong but saved at the last moment...Many of the best songs get written in a state of abject misery. I prefer to write fewer songs and have less cataclysmic events in my life...Some hit songs are really stupid, and who knows why they're hits. But a lot of hit songs are really good.
My daughters prefer Tears for Fears songs as they're more upbeat and generic. Dad's songs are 'a little too sad' for them, which just means that they're harder to understand.
There are many kinds of richness, and the man who is rich because of money is the lowest as far as the categories of richness are concerned. Let me say it in this way: the man of wealth is the poorest rich man. Looked at from the side of the poor, he is the richest poor man. Looked at from the side of a creative artist, of a dancer, of a musician, of a scientist, he is the poorest rich man. And as far as the world of ultimate awakening is concerned he cannot even be called rich.
I put a lot of work into my mixtapes, and I want everybody to understand I am doing this genuinely. I don't even want to be paid for this; I just want you all to hear my music and appreciate it. I think it brings me closer to my fans because they know I'm doing this for them and not just to get the bucks.
I seem to have been able to make a career out of doing what I feel like doing, so why not keep doing it? What's corrupting is wanting to be more important. You want to be more arty - you get your identity from that. Or you get your identity out of making more money.
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