A Quote by Jimmy Santiago Baca
I sat back in my wooden chair as they signed the paperwork and stared down at the arm rests, studying the various layers of paint, the chips and cracks. How many hands had gripped them? I wondered. What lives were attached to those hands, what dreams were shattered, what sorrows were they trying to squeeze out of their souls?
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... we shoved out many hopes and fears into their hands, believing those hands were strong because they had firm handshakes. They failed us, always. There was no way they could not fail us - they were human, and so were we.
When I was a congressman, I had occasion to talk to this group of students who were taking their seat. There were about 80 of them and I asked them, 'How many of you will be serving in the country once you graduate?' And, out of the 80, there were two that raised their hands. The rest were thinking of leaving.
Human beings thought with their hands. It was their hands that were the answer of curiosity, that felt and pinched and turned and lifted and hefted. There were animals that had brains of respectable size, but they had no hands and that made all the difference.
I heard how people sounded when their dreams were shattered, when their lives were turned into a waking nightmare.
Great presidents, and even those not so great, never complained about the hands they were dealt. Just the opposite. They assumed they were in the big chair to meet big challenges, no matter how difficult.
I was like a clock that had exploded- my springs were hanging out, my hands were cockeyed, and my numbers were falling off.
And so they lived many happy years, and the promised tasks were accomplished. Yet long afterward, when all had passed away into distant memory, there were many who wondered whether King Taran, Queen Eilonwy, and their companions had indeed walked the earth, or whether they had been no more than dreams in a tale set down to beguile children. And, in time, only the bards knew the truth of it.
From the time you were signed at MGM you just felt you were in God's hands.
The newspaper stories were like dreams to us, bad dreams dreamt by others. How awful, we would say, and they were, but they were awful without being believable. They were too melodramatic, they had a dimension that was not the dimension of our lives. We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories.
At the school where I went you were able to check out instruments like you check out a library book, if your parents signed for you and vouched for you. Then after you had it for a little while you could decide if you were interested in taking lessons or you could also get your own gear. Or you could turn that instrument in for another one and try something else. So that's how I got my hands on the guitar.
I was thinking how amazing it was that the world contained so many lives. Out in these streets people were embroiled in a thousand different matters, money problems, love problems, school problems. People were falling in love, getting married, going to drug rehab, learning how to ice-skate, getting bifocals, studying for exams, trying on clothes, getting their hair-cut and getting born. And in some houses people were getting old and sick and were dying, leaving others to grieve. It was happening all the time, unnoticed, and it was the thing that really mattered.
After perhaps thirty meters, just as a soldier turned around, the girl was felled. Hands were clamped upon her from behind and the boy next door brought her down. He forced her knees to the road and suffered the penalty. He collected her punches as if they were presents. Her bony hands and elbows were accepted with nothing but a few short moans. He accumulated the loud, clumsy specks of saliva and tears as if they were lovely to his face, and more important, he was able to hold her down.
We make sure we have total artistic control with our albums. We were working with Interscope Records, and they had a hard time with us having all the control. So when we signed with Warner Bros., we told them we would be working hands-on with our producer, and they were cool with it.
They were dancing around the fountain, arm in arm, in an old Dutch dance, their cheeks touching, their hands entwined. They had no music; they hummed. And there was no reason for them to be dancing that Peter Lake could see, except that it was an exceptionally beautiful night.
There were times when I could not afford to sacrifice the bloom of the present moment to any work, whether of head or hands. Sometimes, in a summer morning, having taken my accustomed bath, I sat in my sunny doorway from sunrise till noon, rapt in reverie, amidst the pines and hickories and sumachs, in undisturbed solitude and stillness, while the birds sang around. I grew in those seasons like corn in the night, and they were far better than any work of the hands would have been. They were not time subtracted from my life, but so much over and above my usual allowance.
She was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something. Jane was different. We'd get into a goddam movie or something, and right away we'd start holding hands, and we wouldn't quit till the movie was over. And without changing the position or making a big deal out of it. You never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were.
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