A Quote by Jimmy Scott

As a singer, I've been criticized for sounding feminine. They say I don't belong in any category, male or female, pop or jazz. But early on, I saw my suffering as my salvation.
I'm listening to a lot of Katy Perry, Taylor Swift, and Rihanna. A lot of pop female artists. I have to say I'm pretty well-versed in the pop female category.
Iโ€™m listening to a lot of Katy Perry, Taylor Swift, and Rihanna. A lot of pop female artists. I have to say Iโ€™m pretty well-versed in the pop female category.
2017 saw a slew of big pop and hip-hop records, a number of breakout female singer-songwriters and all-girl bands, and the return of beloved '60s soul artist Don Bryant and pop star Kesha.
The dumber half of the audience - whether they're male or female, and a lot of them are male - for some reason responds very quickly to the feminine voice. How can I put it? They kind of instantly react to the female voice in a positive way quicker than they would the male voice.
It's not misogynistic to criticize a legendary female pop singer; it's misogynistic to think a legendary female pop singer can't handle it.
I'm not a folk or jazz singer, more a hard-edged pop singer - with some rock, and song hooks.
I did not have any role model. I could not learn anything from the female voice that male poets used, a voice which is more "feminine" than female. Nor could I learn anything from ancient female poetry that only sang about love, the feeling of farewell and longing for others.
Chan Marshall has one of the most haunting, wrenching voices of any current singer, male or female.
In the beginning, the feminine principle was seen as the fundamental cosmic force. All ancient peoples believed that the world was created by a female Deity... female deities were gradually overshadowed by or incorporated into the attributes of a number of male gods, then eclipsed by the ascendance of the single male deity that dominates the Judeo-Christian tradition.
The feminine aspect has been crushed for millennia in most cultures. I believe the future lies in a balance of the male/female duality
I have always been a singer/songwriter, and I was pushed in places I didn't want to do, like pop or top forty. I don't belong there.
I have always been a singer/songwriter and I was pushed in places I didn't want to do, like pop or top forty. I don't belong there.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues โ€“ just a right-out blues โ€“ but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
Most of the pop videos I've seen that have any male/female interaction are usually centered around a romance - and that's great, I am all for romance. But let's face it, there are a lot of other sexualities and identities that are well-deserving of some shiny pop video love.
K-pop is a weird term because K-pop has everything - rap records - it's very pop-sounding; there are really boy-band-sounding records.
The world we live in is made up of polar opposites, black/white, male/female, night/day, and a human being who possesses both masculine and feminine โ€“ vulnerability and strength โ€“ is intriguing to us, whether they be a singer or actor or dancer, intrigues us, because THAT Is who we really are.
This site uses cookies to ensure you get the best experience. More info...
Got it!