A Quote by Jimmy Scott

I started out in the 1940s, singing around the clubs of Cleveland, Ohio, where I grew up. There was a woman in showbusiness, a contortion dancer called Estelle 'Caldonia' Young - she was named after the song Caledonia Caledonia.
You know the one with the big ears? Wait a minute, he ain't my president, he might be yours, he ain't my president. You know that woman he had singing for him, singing my song - she's gonna get her a- whipped. The great Beyoncé But I can't stand Beyoncé. She has no business up there, singing up there on a big ol' president day singing my song that I've been singing forever.
I grew up in a Cleveland suburb called Parma, Ohio. Somewhere along the way I fell in love with a typeface called Bodoni. It turns out that Giambattista Bodoni had his foundry in Parma, Italy. So I pick Bodoni because us guys from Parma have to stick together.
I grew up outside Cleveland, Ohio, and I went to college at Boston University. I majored in film. Then I came out to Los Angeles.
I grew up in Cleveland, so my heart got attached at a young age to the freight train of sadness that is Cleveland sports.
O Caledonia! stern and wild, Meet nurse for a poetic child! Land of brown heath and shaggy wood; Land of the mountain and the flood!
My song 'Nevermind' was named after Nirvana's album, so when I had to choose a cover for my Spotify Singles session, choosing 'Like A Stone' by Audioslave was the natural next choice, as I grew up constantly listening to the song.
I started singing when I was 18 and landed my first record deal with RCA when I was 26 after a lot of grafting singing in pubs and clubs.
It 's guid to be merry and wise, It 's guid to be honest and true, It 's guid to support Caledonia's cause, And bide by the buff and the blue.
I remember singing around the house to records that were playing. All kinds of music. And the great James Cleveland was often in our house, and I grew up with his sound as well.
A young man who came from Columbus, Ohio and made it, and who wants every other young man and young woman, black or white, to know that if I could do it, they could do it. Me and my fans grew up together, and I believe they know I'm a walking billboard and proof of that. That's what I see when I look in the mirror.
It is that holy poetry and singing we are after. ... It is the wild singing we are after, our chance to use the wild language we are learning by heart under the sea. When a woman speaks her truth, fires up her intention and feeling, staying tight with the instinctive nature, she is singing, she is living in the wild breath-stream of the soul. To live this way is a cycle in itself, one meant to go on, go on, go on.
When I look around me, I see mostly women who are alone, left by their husbands after their kids grew up, for a younger woman, which is the most common thing, or suddenly abandoned after getting married and left with young children.
My favorite Elton John song is "Daniel"; my son is named Daniel and he's partly named after my wife's father, but also partly named after that song.
It all started when I was 11 months old, singing a song by Jodeci in the back seat of the car. My mother turned around and said, 'Who is that?' When she saw it was me, she said, 'I think we have a singer on our hands.'
I grew up singing in Kansas. My dad had a band when I was growing up. So I sang in church and school and started singing with his band when I was seven. So I've been singing all my life.
We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.
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