A Quote by Jimmy Smits

The friendships I made on 'L.A. Law,' with the cast and Steven Bochco and David Kelley were really wonderful. — © Jimmy Smits
The friendships I made on 'L.A. Law,' with the cast and Steven Bochco and David Kelley were really wonderful.
But Steven Bochco was smart; he knew that viewers were smart.
I've been a huge fan of Steven Bochco's for over two decades.
Mr. Steven Bochco is a very wise man. After a many-monthed nationwide search to find a precocious teenage doctor, he hired me.
'Monday Mornings' is terrific. It's my wife's show. I'm just lucky enough that David Kelley threw me a bone on it as well. It's a wonderful piece based on a novel by Dr. Sanjay Gupta called 'Monday Mornings.'
When I look back at it, I'm mostly amazed at how poorly it was shot. David Kelley is a great writer, and I thought the scripts were great, but it just looks so cheap.
I have some pretty wonderful friendships, so that's been really good for me. In the past year, I've really worked on that. I think when I was married, I let my friendships go. I think people thought, "Oh, because she's married now, she's so happy all the time." But I really was just isolated in my house.
They were made up names in Dune that I didn't know how to pronounce, but I knew how I should sound because I was a sci-fi fan myself. I hadn't read the book, but I knew that I was the princess of the universe. I went in and sort of made her up, and David Lynch thought it matched and cast me.
Everybody said, 'You hit it so big when you were on 'Ally McBeal.' ' I didn't do anything for a year after 'Ally McBeal,' and I had to write David Kelley to get myself back on 'Ally' a second time because I thought the character should be on again.
Everybody said, You hit it so big when you were on Ally McBeal. I didnt do anything for a year after Ally McBeal, and I had to write David Kelley to get myself back on Ally a second time because I thought the character should be on again.
I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face.
The wonderful thing about digital process is that I can be cast in films that I would never be cast in. If I have it in my soul to play the character it doesn't matter what my face looks like, or my age. It's really liberating.
I don't think I ever got the hang of the writers' room. I love collaborating with people, but I really do my best work alone, and I think I would want to - if I did something again, I think I'd want to take total ownership the way Aaron Sorkin or David Kelley does.
Steven, I know I phrased that as a question, but it was really a command. Yes, but mine is…ummm…private. Private, Steven? Yes, Miss Palma. PRIVATE Steven? Again with the capital letters?
Britton Kelley is the best strength coach I've had in my life - he's probably the best in the country. He has really transformed my body and really made me a lot stronger. A lot of guys he has trained are in the NBA.
We were really into what Cliff Martinez did with 'Drive;' we were into what Trent Reznor and Atticus Ross were doing with David Fincher. When I read about how they worked with David Fincher, they're composing hours and hours of music and then he's working and figuring it out.
I actually had another motivation for letting Steven [Sebring] film us. After I'd been out of the public eye for 16 years, lost my friends and lost my husband, some of my confidence had been undermined. Steven made the process of filming fun; I could pretend that we were in something like Don't Look Back.
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