A Quote by Jimmy Smits

It's a lot of pressure. Some of the cast wants a StairMaster on the set so you can work out like crazy before your naked scene. — © Jimmy Smits
It's a lot of pressure. Some of the cast wants a StairMaster on the set so you can work out like crazy before your naked scene.
I just never want to be in this situation where I get to set and they're like, 'We rewrote this scene, you're now naked.' I need a little prep work.
I just never want to be in this situation where I get to set and they're like, "We rewrote this scene, you're now naked." I need a little prep work.
Movies are hard to make, and you have to work toward a common ethic and do your best. You don't want to work with people who don't care or who are acting out some neurotic, crazy thesis on the set.
Some people go crazy. It's constant pressure. People don't eat well. They work a lot. There's no rest. People lose their mind by 30. They really go crazy - especially ballerinas.
In a crazy, high-pressure environment like a film set, eventually a peculiar kind of empathy develops for your co-workers.
For some ungodly reason, I end up being naked in a lot of stuff. But there is a certain grace and kudos that come with taking your clothes off on the first day, a respect that is given by the rest of the cast.
The acting background helped a lot when I started writing. I was training for it. In acting class they teach you about the stakes in a scene (and) what motivates characters. When you bring a scene to class - as an actor with your scene partner - you have to do everything. There's no producer, set decorator or anything like that. You and you partner have to do everything and that's kind of like facing the blank page as a writer.
I don't get the jitters and I don't get nervous, because I build that comfort on set for myself. Sometimes if I'm gonna do something really crazy, it helps me to yell or look like an idiot on set, so that when I'm about to do a scene, I've already embarrassed myself. I find ways to work around getting the jitters.
Yeah, it's funny, working on a show with as large a cast as we have here, your work gets sort of compartmentalized. There's still about half the cast that I've never had a scene with but I have missed working with Terry.
I try to find some sort of meditative hobby to do on set, and it's different for every film. There's a lot of downtime, but I don't like reading on set because it feels like you're taking yourself out of your world, instead of being present. And then, you feel like you're not ready to do whatever you have to do.
When some people get parts, they feel they can now relax, but for me it was always the opposite. Sometimes before I do a movie or before I act out a scene, I may not sleep well the night before. If I don't know what the scene is about, I might get all worked up.
God wants to cast out the fear and doubt in your life. Go before Him right now and say, "Lord, this is what I am afraid of ..."
There's a lot of people who don't understand the touring and the party scene and it's like, go to bed late, wake up early, drive for hours, play a show, meet crazy drunk people and all that stuff. I would rather be doing that than like McDonalds or something like that though. It's definitely fun but it's a lot of work.
I think it's just a lot more pressure to make the scenes work when you're doing a film, because when you're doing a series you feel like, I have so many scenes, so many episodes, so if I don't get it exactly right this time, I have another scene later. You feel less pressure.
I'm naked in Esquire in August. I was naked on the set the other day. I'm always naked. I'm naked right now, in fact.
In recitals, you are naked before the audience - well, naked with your jacket and tails. The audience sees and hears the real person, not some role you are interpreting.
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