A Quote by Jimmy Smits

With the advent of cable and such, you guys are calling it the golden age of TV in terms of the writing and stuff. But it's like different branches of a big tree that TV has become.
I wanted to move between film and theater - I never felt like I fit into TV. And I'm very anti-TV, like, 'I'm never going to do TV,' but also, TV didn't want me either, so it was kind of perfect. And then, of course, cable happened, and suddenly it was like, 'Oh, I could do that kind of stuff.'
Over the years, TV has gotten so much better, especially with the advent of cable. The bar has been raised. I think HBO really set the standard with The Sopranos, and then on mainstream TV, shows like Lost broke amazing ground.
There are terrific TV shows now. This is a golden age for TV humor, I think. There's an actual market there. Of course, I have no idea how you'd break in, but there must be a way. They have all these shows and they need jokes and somebody is writing them.
Classic cable TV may have hit its peak, but it's still a huge force, and the streaming apps of many cable networks still require you to authenticate that you're a paying cable customer every time you want to use a new such TV app.
I am here to tell you, TV is not dead. Rather, it is constantly evolving as we are. My view is that we are in the next Golden Age of content. If AOL, Google, Netflix, Amazon, and Yahoo felt TV was dying, they would not be so eager to play in our sandbox. It is, after all, TV content that's driving their business.
It's a different thing with cable TV. You don't have to have your characters be lovely again by the end of the episode. And in this era of the male antiheroes on cable TV, you don't even need to make them likable; you just need to make them compelling. As opposed to film, where it's still those basic tropes of good versus evil. But for women, I don't think that has been widely seen yet.
I think cable TV in the United States is amazing right now. It's reinvented television, really. What's going on in the States with some of these cable shows like 'Breaking Bad' and 'Mad Men' is amazing stuff.
I didn't know I was going to write for TV until I was suddenly writing for TV, so that kind of stuff can bewilder you.
We've seen from shows like 'Game of Thrones' that the book can become a seed, which you plant in the ground of great TV creators, and it can sprout out into a big tree.
My description of fun would be to sit on someone's couch and watch TV. Regular cable TV. When I'm in a hotel, on-demand is the same. I watch the TV in another language, trying to figure out what they're saying.
I grew up in Toronto and as long as I can remember, as long as there was cable, even those old cable boxes that were wired to the TV, there have been Bollywood movies on Toronto TV.
Ideally I'd like to be working steadily as an actor: movies, a TV series, that sort of thing. I've been through a few different TV development cycles, and they didn't work out. When the time and project are right, it'll come together. Like I tell a lot of guys, it's not a race; there's no finish line.
The great coming to age of cable is really a beautiful thing. No commercials. It's like a small theater. It's a cinema on a TV screen.
The speed of the TV stuff vs. the self-imposed pace of novel writing has been a big adjustment, and going back and forth often feels like whiplash.
You sit around watching all this stuff happen on TV. . . and the TV sits and watches us do nothing! The TV must think we're all pretty lame.
Going from three TV channels to broadcast TV to cable to talk radio; obviously the online explosion has changed things.
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