A Quote by Jimmy Somerville
I think there's a lot of honesty in that track. 'Smalltown Boy' was about leaving Glasgow but it was also about the people I had come to meet on my journey, especially when I was squatting in London.
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I come from Glasgow and being from Glasgow everyone knows about Celtic and Rangers. It is a big part of most people's lives.
I didn't want the lyrics to be about specific things in my life, I wanted them to be about generalised experiences I'd had. So when I'm writing about relationships or somebody leaving you or something, a lot of lyrics are partly about failed relationships I'd had, but they were also about my Dad, and being abandoned as a kid.
Very often, I think about the people that I represent. I meet people who have thousands and thousands of employees and millions and millions of customers - and also make a lot of money. But I think about the millions of Europeans that I represent in order to try to balance that so we can meet on more equal terms.
Your understanding of another person is limited by what you think you already know. So when you just listen, the person you meet won't match your preconception. The exciting thing is that you usually meet someone much wiser and kinder than you expected. You might also lose track of your ideas about who you are.
It was strange to stand there in front of the mirror and see myself like I was my own best friend, a kid wanted to hang with forever. This was a boy I could travel to the seacoasts with, a boy I'd like to meet up with in foreign cities like Calcutta and London and Brazil, a boy I could trust who also had a good sense of humor and liked smoked oysters from a can and good weed and the occasional 40 ounces of malt. If I was going to be alone for the rest of my life this was the person I wanted to be alone with.
Also, having grown up in England, you walk around London, you're passing relics that are a thousand years old - the wall of London is a thousand years old. You don't talk about it, it's part of your everyday life. The idea that people are in these environments and talking about the past and what happened, it's irrelevant. It's all about living and in this world it was about surviving.
I get advice from all the producers who have come out of Memphis. They just give me advice on the business side, because that's most important besides the actual music. Just staying at a point I know I can't mess myself up. I just got to be put up on game about it. Drumma Boy and Memphis Track Boy taught me a lot.
I also sing about my mom leaving me a lot - a lot of kids have their moms or dads leave them, so they relate to that. I wear my heart on my sleeve, so I think that's what the kids love.
Writing New People I was thinking a lot about the era that I came of age - the 90's. Brooklyn, in particular, this moment when I lived there. The sense of possibility. I was also trying to find a way to write about Jonestown. I had read about it a lot and I had the sense that the story could really start to drive one over the edge.
It's not about the journey. It's about the people you meet.
London is always fun, obviously, but something about Glasgow really speaks to me. Usually what it says, though, is "Let's get wasted."
U2 have a lot of religion, also people like Johnny Cash and Elvis. Those people weren't shy about it - it's nice there are people who've come before that were open about it.
I think we're on a journey....It was very easy to write about my past in my book, but writing about the present is all a new chapter. I hope that people find this journey fascinating, informative and educational.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
Scoring at the big stadiums in Glasgow is something I have dreamed about doing since I was a wee boy and now I have managed to do that.
I also have to be careful of what it says about women. I get a lot of scripts that only talk about women's appearances and what they look like. I think we're tired of having to meet this standard and not being asked what our talents or abilities are.
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