A Quote by Jimmy Somerville

I went to squat with a bunch of friends - creative, intelligent, political people. We got involved in a community project funded by the Arts Council and we made this video. I sang a poem and somebody, I think it was Richard Coles, who was later my partner in the Communards, said I had a very strange sound and I should use it.
've had good friends who got married after they've been together for years and they've said that it was the "next step" for them. Or, they've said, "You just can't bail out anymore." And I've wondered, What made you think you could just bail out before [the wedding]? You don't invest that kind of time and energy with somebody and then just go, "All right, see you later."
Richard Nixon was a very intelligent and able man. And he had the right ideas. But he did not have the adherence to principles that [Ronald] Reagan had. He did some very good things. We owe to Richard Nixon the volunteer army - he got rid of the draft. And that was a major increase in freedom.
We have friends who don't use psychoactive materials but who are still interested in how the brain works and psychology and spiritual training. It's a very large and very intelligent bunch of people. We have two big parties each year where people bring food and drink and get to know each other. It makes a very good party.
The thing video games had to learn was to write, which is not to let people choose their own stuff, but actually prescribe it. To say, "This character is not a blank canvas that you can project onto. I'm going to tell you what this character is like. And I'm going to tell you what happens to them. You're going to feel involved in other ways." Video games made the mistake of thinking everything had to be projectable, and this doesn't do that at all.
I never think of my audience when I write a poem. I try to write out of whatever is haunting me; in order for a poem to feel authentic, I have to feel I'm treading on very dangerous ground, which can mean that the resulting revelations may prove hurtful to other people. The time for thinking about that kind of guilt or any collective sense of responsibility, however, occurs much later in the creative process, after the poem is finished.
The irony is that we're really good at comedy in Britain, but for some reason, we make very few comedy films. And when we do, they're either quite American in style, or very Richard Curtis. And I like Richard Curtis, but I think only Richard Curtis should write Richard Curtis films, and other people should try and find their own style.
I had a good, sound upbringing with sensible people around me. I was brought up by intelligent parents. My mother always said to me, "You've got to work at your career and you've got to be good at it. Okay, you've had a bit of success but that's not longevity. You've got to really work for a long time."
I made video art for quite a long time, and I made this video covering myself in burgers and dancing to Major Lazer and doing covers of Britney Spears songs... I can't remember how I got there, but my teacher said he'd have to fail me because it had mild nudity.
Barack Obama has made things exponentially worse, but let's face it, when Republicans had total control over it, they didn't do what they said they were gonna do. I think also people got fatigued with the war. And the party got into a whole bunch of corruption and personal scandals that weren't compatible with the principles it claimed to stand for.
I think there's a sort of agony with all intelligent and very creative designers that it's only fashion, that in the end it's only the decorative arts. I had a feeling towards the end that Saint Laurent and Berge were very keen to attain that immortality that a lot of designers long for. You know, those endless exhibitions.
I had one simple idea about telling friends about arts and technology events. People in the community suggested everything else to us, and that's our theme. We're really run by the people who use the site. We just run the infrastructure, and help out with problems.
I was the person, I think, who first said the evening of September 11 that we shouldn't hold this against the Arab community, the Muslim community. We should focus on the individuals and that groups that were involved and not participate in group blame.
I was very involved in political satire, and I'd been writing parody for 'Mad' and 'National Lampoon,' so I made up some strange story about Gerald Ford.
So we had life, death, illness, everything - every emotional involvement we had, we experienced. And I think that made what we had to do on stage, stronger. We got very much involved in what we were doing.
The case to be made is that we have got to get people involved - continue to get people involved in the political process at every level.
I don't use the big video screens that a lot of other artists use because personally, I think it's kind of a crutch. I think sometimes it's like watching television as opposed to really getting involved with what is happening onstage and the people in your section.
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