A Quote by Jimmy Somerville

I've always relied on a big producer and big studios. I had budgets that were ridiculous. — © Jimmy Somerville
I've always relied on a big producer and big studios. I had budgets that were ridiculous.
'Bahubali' is not about big budgets, big visuals, or massive marketing. If a hero, producer, and director in Bollywood can have that kind of trust, something even bigger than 'Bahubali' is possible.
Marketing executives like big budgets, as big budgets make it easier to grow the top line.
I don't think I'll ever be a producer who's into taking the meetings and fighting the big fights with studios. I really don't like that part. I'm much more interested in the material.
All the interesting films are now being made by their subsidiaries for very low budgets. But the studios are not making money. They're making these big, very expensive pictures that take a lot of money but don't really pay for their costs. So they're having a very difficult time. I can see the system breaking down. I think the American studios are a reflection or a metaphor for American industry altogether, which is failing in the world. Its economic domination is being broken down and I think the same thing is happening to the studios.
I just wish one of the big American studios had bought 'Devdas.' They would have pitched the film for the Oscars in a big way, like Miramax did with the Chinese film 'Hero.'
Big budgets don't necessarily give you big films.
You are what you think. So just think big, believe big, act big, work big, give big, forgive big, laugh big, love big and live big.
We were always thinking big, dreaming big - no project was too big for us to tackle, and that comes from how we were raised. Our parents actually said to us, 'If somebody says you can't do something, find five ways to do it.'
The movies I did before were movies with a lot of characters, a lot of locations, and low budgets, which meant that I was running all over the place and never had the chance to build a relationship with an actor. I was always having big, strong relationships with the cinematographers or editors or production designers, but not with the actors.
One of my first films was Zebrahead. I remember the producer asking me, "Can you handle the big lights?" And I thought, Do I want to be sarcastic, or do I want the job? So I said, "I don't handle the big lights, I just tell big men where to put the big lights and they do it."
Basically, the big studios and companies distributing your movie just take a big cut of profit for making posters.
You always have to remember in this business that the public doesn't care about us. It's very important to keep that in mind. If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
My big sister Melissa, is such a stud and my little sister Suzanna, has always had a perfect body and big blue eyes. We were a force.
There are people who fly to the height of stardom in a single day, and then there are people like me. I used to have this ridiculous idea that I absolutely had to be a big, big movie star. Now all I'm after is happiness.
There are people who fly to the height of stardom in a single day, and then there are people like me. I used to have this ridiculous idea that I absolutely had to be a big, big movie star. Now all Im after is happiness.
I wish I had come along when the studios were making those big musical pictures. It would be great to do re-makes of some of the old ones like 'Porgy and Bess' or 'Showboat.' I'd love to do 'em.
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