A Quote by Jimmy Webb
I like words. I like the way they clash around together and bang up against each other, especially in songs.
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When a man and a woman see each other and like each other they ought to come together - wham - like a couple of taxis on Broadway, not sit around analyzing each other like two specimens in a bottle.
If you can make a little painting for the ears with a few words, well, I like words; I like cutting them up and finding different ways of saying the same thing... I get into a spell, and it all comes easy. I don't labor over it. I go inside the song, I think you make yourself an antenna for songs, and songs want to be around you. And then they bring other songs along, and then they're all sitting around, and they're drinkin' your beer, and they're sleeping on the floor. And they are using the phone, they're rude, thankless little f---ers.
I already love the idea that Barry has a colleague. It seems like a love/hate thing between my character and his already. They work together, so they clearly have some tolerance for each other, but they're just ruffling each other up the wrong way, constantly. I don't know whether that will lead to him being suspicious of Barry's identity or whether he'll have some clash with The Flash.
Then the musical instruments appeared. Dad’s snare drum from the house, Henry’s guitar from his car, Adam’s spare guitar from my room. Everyone was jamming together, singing songs: Dad’s songs, Adam’s songs, old Clash songs, old Wipers songs. Teddy was dancing around, the blond of his hair reflecting the golden flames. I remember watching it all and getting that tickling in my chest and thinking to myself: This is what happiness feels like.
Wrong fails because it is wrong. The wrongs, the untruths, are inconsistent with each other. They clash against each other and confute each other. They neutralize each other and are lost.
You know, like, there's songs like "Valerie" and "Bang Bang Bang" that I was so proud of. And, you know, the level of success that they had - if they were little cult hits meant that, you know, I could sellout Webster Hall or Williamsburg Musical Hall or the El Rey theater in LA. Like, that was having made it to me. So the thought of having a number one song in my own career, like, never even registered.
If you have words and want to write music for them, the words hit you with a feeling which you can't really describe in words, and so what you do is to put music to them and in this way you make contact with the words, through the musical thing. It happens when two feelings come together and they do something together and they compliment each other.
It is really like a family. We are around each other more than we are around anybody else. The time we spend together, and the hard work we put in together, it is going to build a close team.
My brothers and sister and me grew up making fun of each other, the way we'd speak or move. When we get together, everyone's funny, quick, loud, and speaks on top of each other. It was like a great comedy school; nothing is precious.
A lot of bands don't really like each other. I read an Interpol interview the other day, it was a really good interview because it was showing a different aspect of a band. They don't really like each other - they work together and they kinda exist together and that's how they like it. They're like, "we didn't get into this band looking for friends."
I like rhythmic things that butt up against each other in a cool kind of way.
I think the most important thing about dance music is the connection. If you put 80,000 people together, no one knows each other, and once the music starts, everyone loves each other. That doesn't happen with a lot of genres. If you go to a hip-hop club, it's not like when one songs comes on that everyone suddenly loves each other.
I've always tried to do shows in a filmic way. I like it when forms smack up against each other.
We are an industry, and we are all in this together and can't survive without each other. I feel it is high time we realise that. If we go against each other, or if we get happiness from other people's fall, then there is no way we will move ahead.
I feel like women bond with other women in this nonverbal way, where they take on each other's gestures. You start dressing more like each other, you eat the same food... It's a way of expressing regard: I want to be like you. Which is flattering, but if you view it another way, terrifying.
I used to think of two people in love like that. Like puzzle pieces, fitting together. But it's not like that at all. Love pulls a part of you out, and it pulls a part of him - like taffy, stretching but not separating. The tendrils of each one wrap around the other, until they meld together. One, but not quite. Separate, but not quite.
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