A Quote by Jimmy White

I know sometimes I played to the crowd, and it did cost me. — © Jimmy White
I know sometimes I played to the crowd, and it did cost me.
I played sometimes about as dull as you can play it. I did things the right way, you know. I think I modeled my playing ability after one of the all time greats, Joe DiMaggio. You always found Joe, when he played, you know, he always threw to the right base. He ran, he caught the ball. He did all the right things. He was an idol of mine in the outfield. He played the game the way it was supposed to be played.
Sometimes people are like, 'Hey, you played Dean Thomas!' and I'm like, 'Wow, you actually know!' It kind of shocks me because when I think about movies I love, and if I saw someone who essentially did what I did in Harry Potter, I probably wouldn't recognize them walking down the street.
No one knows the cost of a defective product - don't tell me you do. You know the cost of replacing it, but not the cost of a dissatisfied customer.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pay your house payment. That's a tough crowd.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pat your house payment. That's a tough crowd.
The Full Sail crowd, it's a pretty unique and a pretty distinct environment. It's very close quarters and a bit more of what I'm used to from my days on the independents. But the truth is, I sometimes think that it's harder to win over a small crowd sometimes than it is to win over a big crowd.
Sometimes, my kids say to me, 'Ah, you played with Maradona; you played with this, or you played with that.' And they are so proud.
Sometimes I hear the crowd cheering, and most of the time your body's on auto pilot, so sometimes even after I do a floor routine, I'm like, 'Did I really just do that?'
It's fun, and a laugh for you... you can boo me and feel happy about yourself because you're part of the crowd that did that. But deep down there were people in that crowd booing me because of my Aboriginality.
I can't really hear the audience applause when I'm on stage. I'm totally immersed in the piece. But sometimes I get a lot of it and wonder, "Now, why did they applaud here?" If it's a white crowd, they usually applaud because they think it's a pretty movement. If it's a black crowd, it's usually because they identify with the message.
I have sometimes played my best Davis Cup matches away from home when you stay in the moment a bit more. But it is tough when half the crowd are spitting on you.
I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it.
To me spirituality needs an honest individuality. It does not allow any kind of dependence. It creates a freedom for itself, whatever the cost. It is never in the crowd but alone, because the crowd has never found any truth. The truth has been found only in people's aloneness.
They did offer me a chance of being a V in the crowd, but it's not my scene. I think they just thought it would be fun for me to do that, but I don't know. I heard that Stan Lee appears in every movie of his.
We played in bars and other such establishments and anywhere where people would listen. Sometimes they did, and sometimes not. The outfits we wore were classics of the 50's.
I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it. What do I do in that situation? Get through it.
This site uses cookies to ensure you get the best experience. More info...
Got it!