A Quote by Jimmy White
That period in the late Eighties and early Nineties was when I was playing my best snooker. My trouble was that I had so many bad habits that my preparation was terrible: people like Steve Davis or Dennis Taylor were model pros.
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Northern Ireland as a whole is a great snooker country because of Alex Higgins and Dennis Taylor and now of course there is Mark Allen. It's a hotbed of snooker and a place where our sport is always well supported.
I mean, the death in the late eighties and early nineties really shook out a lot of hacks. The pond just sort of dried up for a lot of really bad comedians.
By the late Nineties, we had become a more visual nation. Big-money taste moved to global standards - new architecture, design and show-off contemporary art. The Sloane domestic aesthetic - symmetry, class symbolism and brown furniture - became as unfashionable as it had been hot in the early Eighties.
I don't know if there were many pros for me playing early. I feel like I dug myself a pretty deep hole that rookie year.
Ryan Seacrest: Trouble, trouble trouble. So why do girls go for the bad guys, what is it Taylor Swift? Why? Taylor Swift: Because maybe we could change them! Everybody wants to like tame a lion.
In 1983, I played in a new tournament called the Professional Snooker League. I won eight of my 11 matches, beating Alex Higgins, Jimmy White and Dennis Taylor, among others.
... although many people say it is a terrible onus to be labeled bad as a child, I thought that the opposite must be worse: If you knew early that you had wickedness in you, you could learn to accept it, if not to wrestle against it. But if you believed that you were essentially good, then when you finally found the ocean of evil in yourself, surely it would come as a terrible shock.
Fame put a lot of pressure on me in the Eighties and early Nineties - and I'm glad that I had the kind of makeup where I could come through it alive, keep myself in hand.
In the early period of Left struggles, in the late nineteenth and early twentieth century, there were many different trajectories for the struggle, whether you call it 'syndicalism' or 'anarchism' or, at the time, 'social democracy', eventually 'Communism', these were different theories of struggle. But all of them shared a basic understanding that the people...experience exploitation, they experience oppression, but they're not prepared to rise up.
My problem is that I always find jeans that are either high-waisted or low-rise, but nothing in between, like they used to be in the eighties and early nineties. That's actually the most flattering cut.
By the age of 14, I had stopped doing homework and stopped studying - as soon as I had any spare time, I was up to the local snooker club. I was fortunate my parents never forced me to stop playing snooker and told me to carry on at school. Nowadays, that probably isn't the best advice. I basically had nothing else to fall back on.
I don't spend much time listening to the records when they're done. Usually I let go of it. Especially in the Eighties and Nineties - they were like product, almost.
Like many other touchstones of twenty-first-century pop culture, 'The Sopranos' was hatched in the late Nineties, predicting a future that never arrived. It was designed for a decade that would be just like the Nineties, except more so, in an America that enjoyed seeing itself as smarter and braver and freer than ever before.
I think it would've been a little easier if I grew up in America; they've got better conditions for basketball players. At the same time, many people have said to me that having to start playing so late helped me not pick up bad habits.
If the seventies were bulbous, and the eighties sharp, the nineties were nothing but bogus.
I always say to people, the Eighties were so inventive because people wanted to stand out. By the time we got to the Nineties, everyone wanted to fit in. It was all about having the same pair of trainers and the same pair of jeans. That's fatal. Whereas the Eighties you would never be seen in the same pair of jeans that somebody else was wearing.
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