A Quote by Jimmy White
In a way, sometimes I was quite pleased when I got beat, 'cos then I could do my antics.
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There is always a better choice that you were unable to quite touch with a single stroke. Even in acting, there comes a point, like a painting, where you have to say, "That's it. I can't go any further with it." And sometimes, you say, "I'm really pleased that that's where it's finished up." Other times, you think, "I don't think I really quite got there, but I haven't got time to go any further." Rather reluctantly, you have to say "That's it."
As a seasoned insomniac, I knew sometimes the way to beat sleeplessness was to outwit it: to pretend you didn't care about sleeping. Then sometimes sleep became piqued, like a rejected lover, and crept up to try to seduce you.
Oh yes, the Klitschkos. They got to learn how to fight. Period. But I'll tell you one thing - they're great human specimens. And I'd be happy to be able to work with them. If they chose to work with me. They had an opportunity when they got free of Peter Kohl - they didn't come to me. You know, I'm with who's with me. And I really don't care what fighter it is. I would be happy to promote them..Who could beat Vitali? Rahman could beat Vitali. His style is suited to beat Vitali.
There's no set way to do anything. Sometimes you have to go outside the box; sometimes you can do things the standard way. Like, you don't have to have a beat to write a song: sometimes you can write lyrics without the music.
The fans only don't support me cos of the way I fight, they support me cos of the way I am.
I've done that quite often, but I've got to be quite honest... as much as you would want to only do one at a time, sometimes projects overlap and there's nothing you can do. Sometimes you to have begin writing a new project just as you're finishing off another.
Part of my affinity with urban music comes from being on 'Kids Incorporated,' 'cos we used to sit around and listen to Chaka Khan and Prince, and I got influenced by all that. Then gangsta rap got started, and I was infatuated with that - maybe that's why I'm fascinated by guns.
I have an almost entirely written correspondence with a few friends of mine who are really busy. We exchange quite long and sometimes quite whimsical, sometimes quite meaningful, sometimes silly letters.
I've got hope, I've got dreams and I have aspirations. I don't need to climb mountains; I don't need to build nations. What I do need is the courage to look deep inside, Cos I'm me and from me I know I can't hide. I don't wish to fly, I'm quite happy to glide. I am who I am and I'll be me with pride.
My dad used to play every other weekend with me when I was young. I started getting better, but he could always beat me. Then one day, he realized the jig was up. And he stopped playing me just before I could beat him.
I guess I judge my films by how pleased I am with the work I do, so it's kind of on another level. If they do well at the box office, then that's great. Then I'm really pleased about that too.
The personal antics have overshadowed the music. I never wanted that but I knew what I was getting into when I got into everything I got into.
Wes Anderson is a perfectionist, so you have to just be ready to try it this way, try it this way, try it that way, and then try it this way. And then, once you think you've got it all and it's done, then you're going to be called back in two or three months so you can try it that way and try it this way. You've got to give him all of it.
I was creating characters early. People didn't beat me up. I scared them. I hated authority. I could also get people to do things; I was quite the early director. I could make people laugh enough to get their defences down - and then brainwash them.
I think in everything we did, there's a sense of tension and a sense of things pulling in a different way. It's interesting calling it "beat music". That's quite true, the rhythm is up to the fore, it's got a slap bass, and it's got "funk" in the title. But I think there's always a level of irony when we did those kind of things.
When schools truly become centers of the community, where you have extraordinary teachers, the best teachers, the best principals, great nonprofit partners coming in during the non-school hours to support and do enrichment activities, social services, then those students will beat the odds, will beat poverty, will beat violence in the community, will beat sometimes dysfunctional families, and be productive citizens long term. They will go to college.
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