A Quote by Jimmy White

Believe me, I feel the same way now about snooker as I did when I was 13. — © Jimmy White
Believe me, I feel the same way now about snooker as I did when I was 13.
One thing that did give me pause for thought, when I told my female friends now that I was writing about a 13-year-old girl, without exception they all said, 'I would not go back to being 13 for a million pounds.'
I don't feel that way now. I don't want to make movies for the 10 people who feel exactly the same way about the world that I do. I want to make movies that many, many people see, and I want to say something that I believe is important in a way that people who don't agree with me can hear. And that involves making different kinds of choices, but it's not like a compromise that I'm making. It's that something else interests me, something else is appealing to me.
I liked the ceremony, the ritual of preparing cocaine, as much as doing it. I did it for a year, loved it, then stopped. Now I feel the same way about cooking.
When I was 13, my parents bought me a mini snooker set for my birthday. From the moment I first held a cue in my hands, I was transfixed.
Usually, when you do a period movie, you just recreate what you are shooting. You don't recreate the way you shoot it. I think I did the same thing here as I did in the OSS 117 movies. I recreated the way to shoot that period, because to me, like what I was saying about the Steadicam, there's no sense to do a Steadicam shot in the 1920s because you have never seen the '20s like that. You can't believe there was a Steadicam in the 1920s. I believe it's a continuation of the OSS 117 in a way but without the irony.
I don't feel people are that interested in snooker any more and the only thing that will get snooker back into the limelight is more controversy.
Northern Ireland as a whole is a great snooker country because of Alex Higgins and Dennis Taylor and now of course there is Mark Allen. It's a hotbed of snooker and a place where our sport is always well supported.
I remember that if you went down to the Crucible or other snooker tournaments it was all the snooker writers, and then all of a sudden when the game became popular on television it wasn't only snooker writers: it was what we called special correspondents.
I feel like I'm the same scientist I was back when I couldn't get a grant. Now I'm that same person thinking that same way getting grants. That system of external rewards in science has always mystified me. It's fickle. And I also don't think it was constructed with people like me in mind.
I've been writing way before 'X Factor,' and I've been doing shows before 'X Factor.' And everything I did on this show was me being me. Same way I acted in the show is the same way I act now as an artist.
People get jaded in every profession, but for some reason, I feel as passionate as when I was 13 years old and just released my first album. I feel the same amount of adrenaline in my blood, and the same amount of curiosity as well. Curiosity about why I'm different.
You look back at a time you idealize now and you only remember the good stuff. You tell the stories about the hard stuff and just laugh about it now. You don't remember how difficult it was to be stranded in Austin after driving 52 hours from Seattle in a rainstorm and having nowhere to stay for five hours. You remember that stuff and laugh about it now. You don't feel it the way you did back then when you were so scared and nervous and tired and hungry. We always idealize the past because we don't feel the painful stuff the way we used to.
That's what just hit me: How you really can't have everything. You have to give up the old to get the new. You can't be the child and the mom at the same time. You can't be your young self and your old self at the same time. You can't know what you know now and feel the way you did then. You can't, you can't, you can't.
I feel the same way about Shondaland I feel about Africa and Greece. I feel pretty in both places. Men look at me like I'm a novelty, and women think I'm just cool. I feel absolutely at home immediately. I'm not altering myself to fit in. I'm walking in just as I am. And there are open arms stretched out to greet me.
I think in the same way you find a song that you feel represents the way you feel on the inside, that's for me what fashion is all about. It's sort of an external expression of an internal feeling.
I always think about the role models I had when I was a little girl. They really made me feel how big I could dream, they made me feel I could do things that I did not think I could do before. And because of them, I went and did what I did and I am where I am now.
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