I went to 'The Nutcracker' every year with my grandma and aunt. Then, in my early teen years, I thought I wanted to be a ballet dancer. I went real gung-ho in that direction, and I started performing in 'The Nutcracker.'
I saw the Nutcracker to be a dummy as I thought of its mouth moving like a nutcracker - and also find them pretty scary as they almost have a life of their own.
My parents always had a Christmas tree in the house and I was put in ballet at a very young age. So every year I would be in 'The Nutcracker.'
Look at where I lived! Four blocks from Lincoln Center. I used to play in the fountain. And then I started taking dance lessons. I was in 'The Nutcracker' for the N.Y. City Ballet when I was 8 and dancing in 'The Firebird' for George Balanchine when I was 9. Believe me, that's something you don't ever forget.
'The Nutcracker' is the ballet that keeps on giving.
During my early years, I thought I might be a musician. Like most kids, I didn't do what my parents wanted me to do. They were gung-ho that all their kids become actors. They loved showbiz so much. I am a product of nepotism, basically.
The first show I did was 'The Nutcracker' ballet. I was one of the kids who comes out in the beginning.
I went away when I was 9 to a ballet school. I thought I wanted to be a dancer, but eight years of ballet cured me of that.
I was introduced to theater by a teacher that found me when I was in elementary school. She tested me for the Gifted and Talented program, started taking me to see the 'Nutcracker Ballet.' I got involved.
I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.
I originally wanted to be a ballet dancer and trained for years, but when I was around 18, I realized I wasn't going to be as good a ballet dancer as I'd hoped I'd be and decided to become an actress instead.
My sister was in ballet growing up. I spent almost the entirety of 7 through 12 backstage at Lincoln Center, just running around, waiting for 'The Nutcracker' to end.
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
I started performing very young as a salsa dancer, and every time I was on that stage dancing, all I knew was that I wanted to speak. I wanted the music to stop, and I wanted to speak.
I wanted to be a dancer from when I was about nine or something like that and started ballet. I used to really like it and got into it and did it full time for a couple of years. I did a lot of ballet but I traded that in for acting when I was about 15.
The colors of 'The Nutcracker' ballet score have become a part of the vocabulary of film music. It's where so much of the 19th-century romantic music that I call upon as a film composer is rooted.
When I was 3 years old, my parents put me in ballet and I really thought I was gonna be a ballet dancer for a long time.