A Quote by Jinkx Monsoon

We have such an amazing drag community, and I don't think people fully realize it about Seattle. — © Jinkx Monsoon
We have such an amazing drag community, and I don't think people fully realize it about Seattle.
There are some amazing people around who can tell stories about drag from the '60s and in New York, like the amazing club kid drag. About drag from around the world. So people should be asking questions and listening to stories.
There are no limits to what kind of bodies, which types of people, which genders, or what races can do amazing drag, and I think the audience is clamoring fighting with each other more and more to see drag represented as fully as it possibly can be.
I've loved the RuPaul model of drag, where you're an amazing drag queen, you're a smart and savvy business person, and you use those together to keep drag at the forefront of what people are talking about.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.
The way I've always looked at drag has been a little bit different maybe than other people because the drag community that I started doing drag in is full of trans people and women and people of various educational backgrounds, of different ages.
In the drag community it's mostly women in the audience, even for burlesque. I think people look at strippping as a male gaze thing and I think the actual neo-classical burlesque community is more about women supporting women and their creativity, along with freedom of expression.
Drag Race' is giving visibility to our community. It's on TV and you can see RuPaul, who is a black, queer, powerful figure who has run this empire for years, and I think that's an amazing thing.
That openness to experimentation in Seattle is how I learned a drag queen doesn't have to just be in her pageant gear and lip syncing to top 40. Drag can be off-the-wall, ridiculous, profound.
A lot of people just feel really impacted and inspired by drag in ways that I don't think we, as self-absorbed drag queens, think about that often.
What I love so much about drag is that it has politics at its very core; drag performers aren't afraid to talk about politics in our community and the changes we need to see systemically in society.
I started drag in Portland, Oregon, but I don't feel that I came to life as a drag queen until I started working in Seattle. That's what really lit the rocket fuel in my career.
Nowadays, 'Drag Race' shows how fantastic and amazing drag queens can be, so audiences won't sit through a boring show anymore. You have to keep people entertained.
I was really grateful that The Vixen, especially, was on season 10 because she was having conversations about race. You can't ignore it, especially in the drag community, in the 'Drag Race' world.
It's common to think things will never happen where you are-never in Cambridge, never in New York, never in Seattle-that sort of thing, whatever it is, never happens here, not in our community. Then it happens, right in front of you, and you realize you were blind to it, that you forgot that intolerance and zealotry and viciousness are human currency everywhere, and it takes your breath away.
The first step towards attaining a higher standard of holiness is to realize more fully the amazing sinfulness of sin.
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