A Quote by Jinkx Monsoon
With Jinkx Monsoon, I strive to make her pretty and likable and have this bubbly, lovely personality. But then she can also be the most crass, out of the blue, kooky character.
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I very much treat my stage persona of Jinkx as a character I've created. Some drag artists do a look-based glamour act, and when they talk they're mostly just being themselves. In my case it's not Jinkx the drag queen, it's Jerrick Hoffer as Jinkx Monsoon.
There's this thing in Hollywood about the sympathetic character and likability. I've never understood that because the people I love most in my life are not likable all the time. My wife is not always likable. I'm certainly not always likable. My dad is not always likable. We're human beings.
Did he happen to select a color too?" "Blue." "Blue?" Victoria burst out, prepared to do physical battle for white. Madame nodded, her finger thoughtfully pressed to her lips, her own hand plunked upon her waist. "Yes, blue. Ice blue. He said you are glorious in that color-'a titian-haired angel,' he said" Victoria abruptly decided ice blue was a lovely color to be married in.
I looked at her. my lovely, tall mother with her pretty coil of hair and her hard, bitter mouth. Her veins were never open. Her heart never leapt out to flop helplessly on the lawn. She never melted into puddles. She was normal. Always. At any cost.
Well, I think “likability” is an overused word. I don’t watch people 'cause I like them; I watch them because they’re compelling. Sympathetic is a little different... Likable just thins you out. Working to make a character likable is what kills most TV shows.
The thing I'm writing now, I have various characters, and all of a sudden, out of nowhere, this couple dies. And they have a daughter. ...I thought, 'OK, we have to do something with the daughter' ... then I realized she's not really their daughter. She has her own story. And she's become the most interesting character. She was this throwaway character that I didn't even conceive of before I started writing her into it, and now she's become very important in this book.
There are a lot of times when Jessica Jones is alone in her house, and there's no dialogue. She's rough around the edges, so getting to spend that time with her and see her be vulnerable and process the weight of her world is what makes the character so likable.
There were a lot of pretty women in cinema around Audrey Hepburn's time, but she stood out because she had a very interesting personality - which went beyond her looks. She did so much for women, for animal rights, for children's education - it's always the personality that comes through and makes one seem beautiful.
For a moment she turned in a circle, staring at her hands, which she held high and useless, close to her breast. She bobbed and shambled like an ape doing a trick, and her face was the silly, bewildered face of a joker's victim. And yet she could make no move that was not beautiful. Her trapped terror was more lovely than any joy that Molly had ever seen, and that was the most terrible thing about it.
If the next car passed is blue, Violet will be okay, she thought. If it's red, A will do something horrible to her. She heard a growl of an engine and shut her eyes, afraid to see what the future might hold. She'd never cared so much about anything in her life. Just as the car was passing, she opened her eyes and saw a Mercedes hood ornament. She let out a long sigh, tears coming to her eyes once more. The car was blue.
On the waves of the brook she dances by, The light, the lovely dragon-fly; She dances here, she dances there, The shimmering, glimmering flutterer fair. And many a foolish young beetle's impressed By the blue gauze gown in which she is dressed; They admire the enamel that decks her bright, And her elegant waist so slim and slight.
There is a general notion that playing a bubbly girl is undemanding and less challenging. But that's not the case. You need oodles of energy to bring out the spirit of a lively character. Besides, no two bubbly girls are the same. Every character I have played is different from the other. I love being chosen for such lively roles.
She liked his tears so much that she put out her beautiful finger and let them run over it. Her voice was so low that at first he could not make out what she said. Then he made it out. She was saying that she thought she could get well again if children believed in fairies.
Little Lotte thought of everything and nothing. Her hair was as golden as the sun's rays, and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her red shoes and her fiddle, but loved most of all, when she went to sleep, to hear the Angel of Music.
Auld Nature swears the lovely dears Her noblest work she classes, O; Her 'prentice han' she tried on man, And then she made the lasses, O!
I fell for her in summer, my lovely summer girl, From summer she is made, my lovely summer girl, I’d love to spend a winter with my lovely summer girl, But I’m never warm enough for my lovely summer girl, It’s summer when she smiles, I’m laughing like a child, It’s the summer of our lives; we’ll contain it for a while She holds the heat, the breeze of summer in the circle of her hand I’d be happy with this summer if it’s all we ever had.
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