A Quote by Jinkx Monsoon

I think there's something for anyone who wants to be a performer in Seattle. — © Jinkx Monsoon
I think there's something for anyone who wants to be a performer in Seattle.
I think everybody wants to redeem themselves after they've done something that might be considered negative. I don't think anyone wants to go to the grave negative.
I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.
One of the things that distinguishes man from the other animals is that he wants to know things, wants to find out what reality is like, simply for the sake of knowing. When that desire is completely quenched in anyone, I think he has become something less than human.
I think what's important for myself and anyone else who wants to create a film, or art, is [to] make sure that they have something to say, that they want to share something important, express something important.
By the end of the 1980s, Seattle had taken on the dangerous lustre of a promised city. The rumour had gone out that if you had failed in Detroit you might yet succeed in Seattle - and that if you'd succeeded in Seoul, you could succeed even better in Seattle... Seattle was the coming place. So I joined the line of hopefuls.
What I would say to anyone who wants to be a model is, have something else. This shouldn't be your be-all and end-all in life: there are so many other amazing things to be done in the world. I also think that the industry really celebrates a woman who does something else. So keep at it, but always have something else.
As far as the music being inspired by Seattle, I think it's in some of the songs. Seattle is a really beautiful place in the right light, it's perched on a pretty unique geographic setting.
One of my favorite places is Seattle. Growing up, I never thought I'd be able to go to Seattle. I grew up in eastern South Carolina, so that's as far as you can get from Seattle, unless I lived in Miami.
Anyone who wants to help me doesn't. Anyone who wants to kill me might. Anyone who wants to love me better not.
It's great to watch someone get the most out of what they can do, whether they're a beautiful performer or just a really gritty performer. It's something to behold.
There is no sense in owning the copyright unless you are going to use it. I don't think anyone wants to hold all of this stuff in a vault and not let anybody have it. It's only worth something once it's popular.
I don't think anyone wants a reader to be completely lost - certainly not to the point of giving up - but there's something to be said for a book that isn't instantly disposable, that rewards a second reading.
Seattle isn't known for a particular production sound, so that leaves a lot of great producers in Seattle doing kind of their own thing. And I think, for me, I was probably enough removed from hip-hop that my style was even a little bit weirder than that.
I think I'd like to be inspirational to anyone who has a dream, anyone who wants to make more of their life than maybe what is set out in front of them. And you can!
Some people are good at performing in front of people like that, but I'm uncomfortable at it. I think maybe that's the difference between acting and being a performer. I don't think I'm a natural performer.
In Vegas, you have an audience you can't find anywhere else. It's from all over the country. You play Seattle, everyone's from Seattle. But in Vegas, you have six from Seattle, a bunch from L.A., some local Las Vegans and maybe a farmer from Iowa. In Vegas, you learn the ins and outs of holding a room because of that great spectrum of folks.
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