A Quote by Jme

I didn't understand how to make it in the music industry, I just wanted to make music. — © Jme
I didn't understand how to make it in the music industry, I just wanted to make music.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
Some guys that know me from when I was a kid say "My son, oh he's just like your father." It's just a natural part of our lives. But, within the music industry and within the industry of the critiques of music, where it becomes "Ziggy's music is not as good as Bob's music," I don't understand. But I don't really pay much attention to that because I'm just expressing myself.
I'm just basically trying to make music that feels good. Right now in the music industry there's a real lack of intimacy. You don't really connect with the artist as much anymore, and you don't really understand where they are. I'm basically doing music that illustrates who I am and where I am in my life.
The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.
When I was coming up in Miami, the music in the city at the time sounded completely different. I loved it, but it just wasn't the type of music I wanted to make. I wanted my wordplay to be more sophisticated. I wanted the sound to be more lush. I wanted my music to sound like who I was and aspired to be - boss.
I still don't understand the music industry that much. Everything I learned was from hanging out with rock musicians in studios. I certainly have respect for those who make music their livelihood.
I wanted to talk about how stupid music is. I wanted to talk about how awesome music is, and how depressing it is, and why we all make music if it doesn't last forever.
This industry's so full of distractions: partying, drinking, sex, money. The priority for me is just to make music that people can connect with. I want to make something fresh that people may not understand
I take music really seriously. I haven't been doing this for too long, but I've been loving music for a long time. It wasn't really about other artists. I just wanted to do something more for me. I wanted to make a better life for my mom. I didn't have any way to take care of her, and I wanted to make a better way. Music was an outlet, so I went with it, and there you go.
Hip-hop music in general kind of revolves around singles, and I appreciate that mindset, but at the same time, I wanted to go beyond that. It's not like I was intending to make a classic record - I mean, I'm always trying to make timeless music, but I really just tried to reference the music that on a road trip you can put in and not have to skip a track.
I just write songs, I make music, and I have several times over reinvented my life in order to keep making music and just make music all day. I don't know. It's just what I have to do.
When I first started, I wasn't really aware of anything in the industry or aware of who I really was. I just put my music out there and tried to get as many people to hear it as possible. I hadn't really thought about the kind of music I wanted to make.
I have very diverse tastes in music, and I don't, like, make distinctions between what I can't and can't listen to. In fact, I could never understand why anybody would do that in the first place. My attitude is, 'I can't make music if I don't like music.'
When I make the music that I make, when it comes to reggae music, I engulf the whole spirit of it all. It's just like when I do rap music or whatever style of music I do, I have to engulf the character I do and bring that to life.
It probably would be impossible for me to make music and not make it sound like Burzum. This is the music I make and the only music I am able to make, so I have no other options musically.
I've been to India, Jordan, South Africa, Namibia, Senegal, Australia, Madagascar, Oman, The States, and a lot of countries in Europe, just to visit... I wanted to make music to connect all of these influences, and make a multicultural music with these experiences.
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