A Quote by Jo Brand

I did try when I wasn't doing the singing to do as much comedy as I could because I thought with Comic Relief you are duty bound to anyway. — © Jo Brand
I did try when I wasn't doing the singing to do as much comedy as I could because I thought with Comic Relief you are duty bound to anyway.
The thing I thought about doing it was it's Comic Relief and you've got to be funny. So although I did try to sing properly it obviously has hilarious results when you can't sing.
It's taken me other places, but it was the impulse to write that led me to singing. I'm not a musician. I never thought of performing in a rock n' roll band. I was just drawn in. It was like being called to duty - I was called to duty, and I did my duty as best as I could.
The joy of doing 'Sandman' was doing a comic and telling people, 'No, it has an end,' at a time when nobody thought you could actually get to the end and stop doing a comic that people were still buying just because you'd finished.
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
When I was growing up, I was really into comedy. I listened to a lot of comedy albums. I loved Richard Pryor, but the comic that had the most impact on me was always my brother Chris, who was in the next room. It was tangible. If Chris could make it, I could try.
I thought if I could do stand-up comedy well enough, I could parlay it back into films - like Charlie Chaplin and Woody Allen did. They merged principles of comedy and drama together, and that's what my first film really was, a stab at that kind of comedy.
I want to do a romantic comedy that nobody thought I could do. And then do a comedy with Dan Aykroyd that is totally different from 'The Blues Brothers.' I'm a comic actor, but I'm an actor, too.
I think I'm known mostly for comedy because most of the work I've done is comedy and that is in turn because most of the work that is offered to me is comedy, so I end up doing more comic roles and therefore being known for them.
Hellboy was entirely the comic I wish someone much more talented than I was doing, because I would have been a huge fan of that comic. But nobody was doing it, so it fell to me to do it.
We all try to camouflage the monotony. But it takes a lot of energy. To insist on being special all the time. When we're so much like one another anyway. Our triumphs are the same. Our pain. Try for a moment to feel what relief there is in the ordinary.
I like to play the comic relief or parts that aren't necessarily comedic but that I can find the comedy in.
I started singing by default, I think. Because there was a guy in the group that thought the group wasn't going to ever be anything. And I was getting ready to record, and I'd never recorded my voice. It was always other people that I featured because I thought they did a much better job.
I was a standup comic, which doesn't necessarily mean you interact with people all that much. In fact when I did shows, I wouldn't talk to the audience very much. Then my friend offered me a radio show, and I thought, you know, I'll try talking to people and see what kind of interviewer I was.
Years have passed since I have set foot in a comedy club. If the comic is doing badly it's painful, and if the comic is doing brilliantly, it's extremely painful.
It's very hard to find a good comedy. I prefer doing comedy far over anything else because I think they're actually more profound. But finding a good one and a great ensemble is very difficult to do and I'm delighted that in these particular times there is so much interest in comedy and that comedy is having so much success.
I only did the comedy thing because I just thought I could do it better than anyone else at the time. And I was right.
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