A Quote by Jo Brand
It's inevitable that if you do okay on something like that you don't just annoy people, that it will make a difference because it seemed like such a lot of people so, yes I would have to say that it has done.
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I'll listen to certain things that I made back then, and I'm like, 'I wish I could have done this, I would've done that'. When you start out making music, you just want to make something that people will like.
A lot of people say, "Oh, I get this high from working out." I've never felt that, maybe because I've worked out for so long it's just a norm for me to push super, super hard. I don't feel the euphoria. But at the end, when it's all done, I feel euphoric. I'm like, "Yes, the work is done." You just feel like a glowing feeling inside.
Precocious and eccentric are okay. But I think that people in the arts represent something integral and kind of secretive in everybody else. So the reason people like some artists is because they're saying or doing something that they would like to do or say, but they don't have the balls or the means. People are really afraid to put their ass on the line. Just to put your face on a poster and put your name in big print and say "Come see me," that takes some cojones, you know? Ambition is nothing to be ashamed of.
I remember when 'A League of Their Own' was coming out in '92, when I was doing interviews, it seemed like every interviewer at some point would say, 'So... would you consider this a feminist movie?' People are worried that it's a taboo thing, so I took great relish in saying, 'Yes, I would. Write that, yes.'
People always say that music is a universal language. It was very, very true. We could show up anywhere with any people speaking different languages and we could just be like, "You want to play that song? Yeah, okay." We would usually want to play Latin American songs, and they would usually want to play Santana or Jimi Hendrix and stuff like that. So we would trade off. So yeah, we were able to make a lot of friends that way and meet a lot of local musicians. It was a great experience.
A lot of people are like, "How are you going to re-do it?" I'm not worried about what people are going to say because you know people are gonna be like, "It doesn't sound like this... It sounds like this." I'm just going to make music that I know I'm supposed to make.
I have friends that I have made through Twitter or things like that, but they're all verified as real people - I've either seen them perform, or we're mutual fans of each other, something like that. I don't have any authentic. I have a lot of good people in my actual life, but I will say that it's a strange time that we live in - it's easy to make friends and to make connections through social media, and if you're a good-hearted person, sometimes you can just assume people are who they say they are, and that isn't always the case.
If the majority of people said I did something wrong, then I must be wrong, and I will think 'I didn't even mean it like that, why are you treating me like this?' But if a lot of people say that I'm wrong and it's not good, then it must be not good. I will say, 'Okay' and then tell myself that this cannot happen again. I have to grasp it and change it for the better.
A lot of people say second seasons are harder than the first because people are now expecting you to do stuff, so yes, that's down to me to work hard and try and improve and, like I say, just letting my football do the talking.
Just because I make something doesn't mean that it's going to be amazing, and most creative people don't like to admit when their music is just okay.
I have tried to emphasize to people that, hey, just like President Obama was a really good president, and the fact that he was black I think was historic and unprecedented, but he also claimed and owned his excellence, and that's why I'm saying, okay - I think it's really exciting and historic that I would be the first woman president, but I have a lot of work I want to do. And I hope that people will say, "Hey, she's getting it done." That's how I think about it.
Throughout my career, I had a lot of mentors, and I just adopted them. What I found is that, especially if you're young, when you go up to people and say, 'Would you mind being my mentor?,' their eyes widen. They literally step back. What they're thinking about is the commitment and time involved if they say yes. And time is something they don't have. So I would not ask them to be my mentor, but I would just start treating them like it. And that worked very well for me.
By the time I grew up, acting just seemed like something I'd already done. I had absolutely no interest in it, even though some people thought it would be my calling.
I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.
It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
I started blogging because I didn't know if I wanted to be an artist. I wanted to talk to other people online who were doing art, so I would post work and ask for feedback. I loved that an artist like James Jean would show his process on his blog. It became this open dialogue that, unfortunately, we don't have a lot in the fine-art world. People will say, "Wow, you share a lot." I'm like, "No, I make it a point to." Instagram is a great place for people to share failure. I don't want people to think that being an artist is some glamorous life.
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