A Quote by Jo Brand
There have been some very extreme hecklers in audiences whose bile was so hateful and so meant that it would be a bit frightening to think that all I'm doing is jokes and yet someone hates me that much.
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I think a theater show is a pure version of me doing my material. The theater crowd is a bit more polite, there really aren't hecklers, and there are a lot of people there to see me, and they're excited about the jokes and hanging out with me for a show.
In some roles you do get into a mode of terror. It's always very frightening - the first audiences are frightening.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
There's two types of hecklers. If someone says something really funny it's normally them heckling as part of the show. They're trying to add onto one of your jokes. If someone says something really funny, I've never seen a comedian abuse them, you always sort of tip your hat a little bit if they nail it.
I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject.
I think the jokes would have been a bit broader and a bit more obvious in terms of the day-to-day of country life.
I would hate to think I am not an amature. An amateur is one who loves what he is doing. Very often, I'm afraid, the professional hates what he is doing. So, I'd rather be an amateur.
I recently did the David Letterman Show about my book. He was very serious and made no jokes and it caught me off guard a little bit. He was much more serious than some of the joke shows that journalists get on.
Are Americans afraid to face the reality that there is a significant portion of this world's population that hates America, hates what freedom represents, hates the fact that we fight for freedom worldwide, hates our prosperity, hates our way of life? Have we been unwilling to face that very difficult reality?
I remember back to my days as a teenager. When you get your feelings hurt, you feel that moment of embarrassment. You think: "No one wants to talk to me ever again. It's all over." I reassure people that's totally not the case. These bullies are just hateful people doing hateful things. Sometimes, it's a lesson in tough love, but you keep positive, smile in the face of hateful adversity and move on. It makes you a stronger person.
I can be a bit extreme. I'll spend too much time running round the park, doing yoga and drinking green tea. I can get a bit obsessive. I have to rein it in sometimes.
Things would hurt me in a big way because I didn't seem to have a very thick layer of skin, but this also meant I had extreme empathy for other people. I think perhaps that's what makes my songs hit home for some people, because I've tried to see the world through their eyes and I recognise- even just for a second- that we all ultimately are struggling with the same things.
At first, they told me it was just bile-duct cancer, but once they went in, they removed the gallbladder, the head of my pancreas, and a foot-and-a-half of my small intestine, and built me another bile duct and connected it to my stomach. It turned out to be pancreatic cancer, stage two, so, very aggressive.
It's amused me the writers who have assumed that I was referring to a hateful quality of society in the '80s. I think that degree of hatefulness is pretty much steady throughout human history. To me, it's just an amusing sense of self-deprecation - my hateful years. It was entirely personal; it was my personal, hateful years, when I most overtly tried to lash out at society. As I used to say: it was an attempt to burn society down to the ground.
The reason I always loved 'The Omen' so much, and what has always been scariest to me, is anything to do with God. Anything to do with God is quite frightening because fear is something that's very much expressed in a church environment, and I grew up in one. And the fear of God was very much instilled me at a very young age.
I think the model that I look at is someone like Jakob Dylan, whose dad is obviously every bit if not more famous than mine. He's a guy who sought to build a career on his own, doing something that's a little bit different than what his father does.
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