A Quote by Jo Brand
There are lots of people who believe that caricature of me the tabloids created, so they think they don't like me.
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The national media don't know me. They know the caricature that was created of me by journalists who were frankly jealous of my access. And it was a very negative caricature. There's this propensity for blaming a woman. It comes down to implicit bias. There are so many studies that show this.
I'd like to believe that tomorrow is another challenge for me. I'm sure there is lots more for me to do, because there is lots and lots of stuff still to be explored.
If low taxes were the way that people like me created wealth, then we'd be starting our companies in the Congo or Somalia or Afghanistan, but we're not. We come to places where there are lots and lots of customers.
We can create the sensation of community through the accrual of actions, and that's often the clichéd way that storytelling is talked about, as someone taking a solo, and that's great for lots of reasons. But I don't really like to feel like I'm forced to listen to it in a certain way, or that there is one master reading of performance. I think what we want from performance is multiplicity, which is lots of ways in and through it, because it's for lots of people, and it was created by lots of people, often.
I like books that expose me to people unlike me and books that do battle against caricature or simplification. That, to me, is the heroic in fiction.
To me the tabloid sensibility, in the best sense of the word, and I think people as like tabloids have receded as a kind of force in media people have started to associate the word "tabloid" with like National Enquirer and stuff like that.
You're trying to tell me that everything you've done is for a good cause. You think that all this killing is worth it because of the results. I'm not sure I agree. Lots of people work for charity; lots of people want to change the world. But they don't have to behave like you.
I believe anything that anyone tells me. I have found that that is the best way to go through life. When I was younger, I used to be more skeptical, but then I found out that most things were true. So I believe tabloids. I believe legends. I believe anything anyone tells me.
I’m not really afraid to be my awkward self, and I know there’s lots and lots of other people just like me out there that are awkward themselves. And I think they just appreciate that I’m not afraid to say the weird things that I say and tweet the obnoxious things that I tweet. But I’ve tried being other people and myself suits me the best. I think you just be honest. I think people respond to honesty.
There are lots of people who believe there may be at least some genetic component to procrastination, and even if there isn't, it seems to be the case that procrastination habits are often set relatively early in life (that's certainly the case with me). But I also think that there's lots of evidence that external tools can help quite a bit in getting people to stop procrastinating.
I have lots of friends and, like me, they're not married. So my kids have lots of godparents - men and women, gay and straight. My loft is always filled with people helping me out with them and loving them.
The more foreign to me, to my existence, to your core existence, the more foreign the foreign language, it's really moving to me to think, to get to experience my own story crossing those boundaries. To have that experience that I so cherished as a reader. I can't believe this. To me, it's really nice because that would be a thing where I'm like, "There may be lots of Jews in my work. I'm not writing stories for Jews. I'm telling stories about people, and Jews are people, too."
Ever notice that people who believe in creationism look really unevolved? Eyes real close together, big furry hands and feet. "I believe God created me in one day." Yeah, looks like he rushed it.
In some ways, I feel like the strength of animation is in its simplicity and caricature, and in reduction. It's like an Al Hirschfeld caricature, where he'll use, like, three lines, and he'll capture the likeness of someone so strongly that it looks more like them than a photograph. I think animation has that same power of reduction.
People ask me a lot, 'How can you smile all the time?' I tell them, 'I was never angry. God created me this way. He created me laughing and smiling.'
There's a little burst of creativity being director followed by lots and lots of meetings and talking to people and more meetings. It's scary. And I can't believe anybody actually lets me do it. But it's going well so far.
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