A Quote by Jo Brand

I've never trained as an actor. I've always thought I'm not a good actor. I've been told I'm not a good actor by a lot of people. — © Jo Brand
I've never trained as an actor. I've always thought I'm not a good actor. I've been told I'm not a good actor by a lot of people.
In the beginning, I was very stubborn and always wanted to be just an actor. I was told by a lot of people to try my hand at writing or directing, but I always thought, 'I am an actor, and this is what I want to do.'
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
I thought for a minute about an actor and a musician simultaneously, but I think that's always very loaded as an actor when you become a "slash," and you do an actor "slash" anything. You better be really, really good at it.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
I always thought the leading actor should be the best supporting actor, because you're the only person that can help every other actor on the set.
I never thought about being the first black actor to win, even though everybody else talked about that. If I stop to think as a black actor, people will see me differently. If I play as a black actor, people will only see that. I think my key was to perform as an actor, not as a black actor. And after winning the Cesar, I was an actor with a Cesar. there are many more adjectives to describe who I am. I'm not only black.
With most good scripts and good shows, they expect the actor to bring some of their ideas to the backstory of the character. It's always a good collaboration between the actor and the writer and the director to try stuff out during the process.
I was told, 'You are not beautiful and glamorous enough,' 'Oh no, you're too serious an actor...' 'You're not good enough an actor,' 'You are not so and so's daughter.' I was even told, 'You are not a big, marketable name.'
I realized that being an actor was something I never owned up to, in a weird way. I would be a hostess or a waitress or a house restorer before I would consider myself an actor, because I never thought I was good enough.
Only a good actor has an edge over a weak actor. A hardworking actor has an edge over a lazy actor. Nationality has nothing to do with it.
I'm not an actor, and I'll never call myself an actor. I've never thought of it as part of my life. I'll always be a singer, in my eyes.
I went to a masterclass with Jonathan Pryce who said that a successful actor is not a famous actor, it's an actor who acts. And I have been incredibly fortunate to have worked constantly from the moment I left drama school, so I achieved what I set out to do. I am an actor.
'Shaadi... ' made people see me as an actor. A lot of filmmakers called and said I was really good in the film... People from the industry - who never spoke to me, didn't think I was a great actor because they hadn't seen my work - said I can act.
I was never very good at being an unemployed actor. I always thought that I should have been doing something pro-active. I was never good at doing juvenile leads. I suppose it's because I have this big sarcastic head on me.
I'm not necessarily a good actor, but once people start saying you are, you are. And I know that that's a truism, and there's obviously nothing important in that particular statement, but it's really about the fact that people create you as a good actor.
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
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