A Quote by Jo Brand
There are comics who treat women fairly appallingly. But I can be great friends with them because I don't tend to do that ticking of boxes: it can make life too simplistic.
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At the end of their relationship she asked if they could still remain friends. His face stayed expressionless until he said "No. Because we put friends in boxes. You see them once in a while, or even a lot, but still they have their box in your life, their specific place. Their *category.* That's one of the great things about being someone's love-- you have no box in their life because you're part of all their boxes. You're their friend, their lover, their confidante-- all those things. I don't want to be put in one of your boxes and I don't want to shrink you to fit into one of mine.
I tend to bristle at people praising alt comics as some kind of perfect comics paradigm, because there's quite a lot of misogyny in its history as well. Like, in my first comics class, every single great comic creator we studied was male.
I tend to only read comics written by friends or people I've known. And I'm not a great comic reader.
The lovely thing about writing comics for so many years is that comics is a medium that is mistaken for a genre. It's not that there are not genres within comics, but because comics tend to be regarded as a genre in itself, content becomes secondary; as long as I was doing a comic, people would pick it up.
There are people working in arts organizations who feel that in recent years there has been a sacrifice of quality and excellence in favor of ticking the right boxes and using the right buzz words because that's what their masters tell them.
If you were to come in to my house, I have archived every fan letter I've ever been given, boxes and boxes and boxes and boxes of them.
I put my comics that are really valuable into regular mylar because I like to look at them. Once they're in those clam shell boxes, they're impossible to open up.
He made the boxes because he was lonely. He didn't have anyone to love, and he made the boxes so he could love them, and so people would know that he existed, and because birds are free and the boxes are hiding places for the birds so they will feel safe, and he wanted to be free and be safe. The boxes are for him so he can be a bird.
In early comics, you see the amazing awkwardness and bizarre reasoning in the storyline, and it's because comics hadn't really been invented yet. There was no format for them to follow. They were just making it up. So I try to incorporate that kind of awkwardness in my comics quite frequently, which is odd. In some ways, I can't be as awkward as I'd like. But I do think that's one way in which my comics are unusual, because I will try to make the artwork look bad, occasionally.
When I started out, some women comics were jealous of other women comics, thinking, "If she gets "The Tonight Show," I can't." My philosophy always was, "If she did, I can too."
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
I'm generalizing, but women, being so connected to life, tend to have stronger intuition is stronger because they are trained to be on the look-out and protect. Men do that too, but there's a different quality to women.
I spent a lot of time [between takes] apologising to Peter Dinklage [Dance's on-screen son, Tyrion Lannister] because I treat him appallingly.
I do know that people enjoy reading a comic book and saving it and collecting the comics. And sharing them and trading them with friends. That may be something you can't do as easily with digital comics.
I am convinced that if we lose kids to the culture of drugs and materialism, of violence and war, it's because we don't dare them, not because we don't entertain them. It's because we make the gospel too easy, not because we make it too difficult. Kids want to do something heroic with their lives, which is why they play video games and join the army. But what do they do with a church that teaches them to tiptoe through life so they can arrive safely at death?
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
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