A Quote by Jo Durie
That result at the French was a big break for me. I had been playing quite well up until that point but nobody really expected me to do well on clay - it was my worst surface. I had had some success on the clay but I was a set and a break up in the semi-final against Jausovec and maybe the enormity of the occasion got to me.
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The problem is not the claycourt. The problem is, you know, rather something to do with the conditions on center court. Because I've played well on Suzanne Lenglen, on the other courts. But the Chatrier court is really, really big, and I just haven't had enough play on it. Maybe I come here next year and play a week on this court, if I can, if the French Federation lets me. We'll see. I've been playing well in other tournaments, in Davis Cup on clay. So for me it's not the surface, it's rather maybe the court.
I had no answer to those questions, only hope. With absolutely no one to turn to, no Mikey, no Axe, no Danny, I have to face the final battle by myself, maybe lonely, maybe desolate, maybe against formidable odds. But I was not giving up. I had only one Teammate. And He moved, as ever, in mysterious ways. But I was a Christian, and He had somehow saved me from a thousand AK-47 bullets on that day. No one had shot me, which was well nigh beyond all comprehension.
My experience on clay is less than possibly on hard and grass courts, but in terms of my game style and my physical abilities, I think there's no reason why I can't adapt well to the surface and really try to maximize what I can do well on clay.
My music, I feel, has always been experimental, but it had got to a point where I felt disconnected from it completely. I didn't want to be a Clark Kent/Superman: I couldn't really say, 'Well, B.o.B's the old me, and Bobby Ray's the new me.' I had to just make a point.
Every country gets fired up to play us. They played well. I thought when it was 2-1 that we had some chances to make it 3, 4-1. He made some saves and we just missed some shots. They got a break on their second, and the third period I thought we had a lot of chances, he made some big saves. We got it done in the shootout.
Of course, my family helped me, my brothers helped me, but after I set up my own office I had to really help myself. Some people seem to think I had an oil well in my garden! It's a nice idea but not true.
I think at some point [Big Pun] really wanted to be a singer as well. He would call me at 3 or 4 in the morning and say "Yo Twin, sing something for me!". That's the type of love Big Pun had for me. He had this faith and belief and he expressed it many times. It was overwhelming for me. I think that he honestly believed I was going to make a difference in the game.
Then he took me off Jeannie and he gave me Millie the Model. That was a big break for me. It wasn't doing to well and somehow when I got on it became quite successful.
I dealt with men who had tempers, and who could get violent-Lord knows how I had to defend myself against Howard Hughes and Frank Sinatra, and from Artie Shaw's verbal abuse. But George [C. Scott] was a different category of animal when he got drunk. He'd break into my hotel room, which he did in Italy, London and at the Beverly Hills Hotel, attack me to where I was frightened for my life, and scream, 'Why won't you marry me?' Well, I would never marry a man who couldn't control his liquor. Me, I'm a happy drunk. I laugh, I dance. I certainly don't break bottles and threaten to kill.
I had it together on Sunday. By Monday at noon it had cracked. On Tuesday debris Was descending on me. And by Wednesday no part was intact. On Thursday I picked up some pieces. On Friday I picked up the rest. By Saturday, late, It was almost set straight. And on Sunday the world was impressed With how well I had got it together.
Maybe I have to work a bit harder on clay. It's a challenge and I've always liked challenges. Whether I will ever win the French and master playing on clay, who knows? But I'll give it a shot.
She was really strong around me. Having me at 16 had to have been a big responsibility. My mom gave up everything for me, had three jobs, supported me, sacrificed her life for me.
I came up in this industry at a time where you had to be a journalist. You had to break stories. You had to break news to elevate your career, to get to a certain point and a certain level in this business, before you even had the license to give your opinion, especially if you were a black man.
I've had good results on clay during my junior years and I enjoy playing on clay to the opposite of what many media can say.
Providence had a graduate assistant job opening. They asked me if I wanted to apply, and I applied. That break right there put me in position to learn from great coaches. It really jump-started every other good break I ever had in coaching.
By the time I got to high school, I didn't play anything but baseball because I was on a mission. I really wanted to get a scholarship. I really wanted to focus all my time and efforts on baseball. When I got up to Florida State, God spoke to me very clearly and called me out of that and called me into music, which up until that point had just been a hobby.
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