Oh, I'm always laughing with the children in 'Supernanny,' but you don't see it because Ricochet decide what to leave on the cutting-room floor and what to keep in.
We're not allowed in the cutting room - and that's extraordinary. So, when a director is asking for certain nuances and colours and we feel that they're phoney, but we do it because the director asks for it, that's the one that they pick in the cutting room. And I contend that when you see a movie with bad acting, don't blame the actor... blame those guys in the cutting room because they like that take.
I'd like to do radio just like pictures - leave the imperfect stuff on the cutting-room floor.
I don't want a ricochet romance, I don't want a ricochet love. If you're careless with your kisses, find another turtledove. I can't live on ricochet romance, no, no, not me! If you're gonna ricochet, baby, I'm gonna set you free.
I don't leave a room unless I leave a smile. I want to leave them laughing.
My daughter has a problem picking things up in her room. So if you leave your clothes on the floor, so if you leave your clothes on the floor, they're gone when you come home.
I think that, you know, women succeed in the cutting room or they're allowed into the cutting room because it's not a very on-display job. I mean, we're behind the scenes. We kind of whisper in your ear.
A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
I thought it was a wonderful line - right on the cutting room floor.
I often can't remember which scenes are and aren't in the final product, because I saw so many different versions of the Lemony Snicket that I forget which ended up on the cutting-room floor.
The best-laid plans of mice and comedians usually wind up on the cutting-room floor.
Do you have your own room, Charlie Brown?" "Oh, yes... I have a very nice room." "I hope you realize that you won't always have your own room... Someday you'll get drafted or something, and you'll have to leave your room forever!" "Why do you tell me things like that?" "It's on a list I've made up for you... I call it, Things You Might As Well Know!
When I do documentaries, my best information ends up on the cutting-room floor. People have trouble dealing with sexual honesty.
I’m not being cynical, but when you’re doing a movie you have a number of choices as an actor. Then you see it all cut together and all of those precious little pieces you put in are maybe on the cutting room floor. So, you don’t have that much control. You have very little control, in fact.
When you see me on the pitch, I will always be smiling, always laughing, always playing jokes. I grew up as somebody who was always laughing. In England, people will tell me that I should not laugh, but you cannot stop me from laughing. It's impossible.
"Nasty Man" isn't a laughing matter, but you have to laugh anyway. The song, itself, becomes something of a laughing matter because we'd go crazy if we didn't keep laughing.
My personal opinion is that, if you're a professional writer, that you do have quotas. So every day I do try to write 800-1,200 words. I don't always achieve it, and the reality is that a lot of the words I write will end up on the cutting-room floor.