A Quote by Jo Koy

I started in 1989. I was the booker, the promoter, the headliner. I wore all the hats. — © Jo Koy
I started in 1989. I was the booker, the promoter, the headliner. I wore all the hats.

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By the 1980s, practically no one under 60 in the real civilian world wore hats for anything except weddings, funerals or Ascot. Hats had been in competition with hair, and hair had won. Thirty years before that, Brits of all classes and ages wore hats all the time.
When I first became a lawyer, only 2% of the bar was women. People would always think I was a secretary. In those days, professional women in the business world wore hats. So I started wearing hats.
When I first went to Georgia Championship Wrestling, the promoter at the time Jim Barnett brought in Robert Fuller, who later became Colonel Rob Parker in WCW, as the booker. Everybody has their own style and way of doing things, and I was just not impressed with Robert Fuller. As a booker. As a talent he was fine.
I had a bunch of different colored hats I wore. When I started wearing a pink one, we won five or six tournaments in a row, so I stuck with it. It started as superstition and now it's tradition?my hideous trademark that I always wear.
All my heroes wore coats and ties to work. What happened to men wearing hats? Maybe I should bring back hats.
I never travel without my Stetson, but the more I wear it the more I realise that no one wears hats any more. When I was a kid everybody wore hats, especially in Texas, but I get off the plane in Dallas now and I'm the only guy with a hat. It's amazing.
When I got to Nashville, people started asking me about how I got into country music. I'd tell them I came from a place where people wore cowboy hats for a real reason.
He could wear hats. He could wear an assortment of hats of different shapes and styles. Boater hats, cowboy hats, bowler hats. The list went on. Pork-pie hats, bucket hats, trillbies and panamas. Top hats, straw hats, trapper hats. Wide brim narrow brim, stingy brim. He could wear a fez. Fezzes were cool. Hadn't someone once said that fezzes were cool? He was pretty aur ether had. And they were. They were cool.
I wore makeup when I was at school, and I wore makeup when glam started. I started wearing it again when punk started. I've always been drawn to wearing it. It's partly ritualistic, partly theatrical and partly just because I think I look better with it on.
When you start doing comedy, you think to yourself, "I want to be a headliner." And you become a headliner, and you're like, "Oh wait, this isn't what I meant. I meant I want to be a headliner that's famous enough that people come see me specifically." And that's a huge leap, because most of the time most of the audience is there to see comedy in general. They're not there to see you.
I started as a rave promoter when I was 17 years old; then I started DJing at 19.
Postwar America was a very buttoned-up nation. Radio shows were run by censors, Presidents wore hats, ladies wore girdles. We came straight out of the blue - nobody was expecting anything like Martin and Lewis. A sexy guy and a monkey is how some people saw us.
It's a little less stressful as a support act, because the headliner carries the majority of the weight. But as a headliner, we get to play a little bit longer.
Estee Lauder cologne. Sam Cooke always wore it, and I started wearing it because he wore it.
Working women wore hats. It was the only way they would take you seriously.
When I started, I just put my nose to the grindstone, had great trainers and opponents like Fit Finlay, Arn Anderson, Booker T, Umaga and Bob Holly, and good things started to happen.
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