A Quote by Jo Nesbo
Do what boxers do, sway with the punches. Don't resist. If any of what happens at work gets to you, just let it. You won't be able to shut it out in the long term anyway. Take it bit by bit, release it like a dam, don't let it collect until the wall develops cracks.
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When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.
For years I thought of many other people. As we all do. But we should all step back and say, 'What's making me unhappy? What's not working for me? What can I take out for a bit and take out long-term that will help me a bit?'
So you can be about your business, and then on it comes again. And this time you're ready, and you've got a wine glass or something. And you put the glass up to the wall, and you can hear through the wall a little bit more of the song - maybe just the middle bit this time. You know, you managed to get in a little bit of the end. And so it goes on until - because you just got to - you really just want to sing it.
Pop music catches on like a meme. It just takes a little bit of tinder, and it can become a phenomenon. You have to break through that wall a little bit. Why it happens, I don't really know.
The more I think about it, the more I realize that schools are just factories for turning out robots, that's all. They get you when your small and vulnerable and they take all the human parts away, bit by bit, until you're just a wind-up toy. Turn the key and set it running. And the toy goes to university, gets a job, settles down with someone nice.
I don't like going out on a date unless I know the broad a little bit beforehand. By the way, 'broad' to me is not a detrimental term for women; it's simply another word for female. Anyway, I don't really go out a whole lot, because there aren't many girls I like to take out and spend a whole evening with - at least not an evening in public.
There are loads of kids out there who haven't got a clue what 'Men Behaving Badly' was; it was such a long time ago. So I'm able to spread my wings a little bit more. I was able to do it on stage over the years. Most directors and producers don't know who I am these days, anyway!
Anyone who has been around Washington politics long enough can't avoid this truism: Election-year money is like a rushing river that invariably finds cracks in any dam the reformers erect.
What makes us a bit nervous is, in this instant age, to release something that might take more than one listen. Where everything is instantly judged on YouTube or something! It's a bit like releasing a horse and cart on a racetrack.
When you're young and starting out, a lot of artists think they know exactly who they are. There are others who come out in someone else's skin. They learn to take it off bit-by-bit and work out the core of what they're trying to say.
My goal is not getting hit and to knock the other guy out. Some people might complain because they want to see boxers beat up on each other, but you cannot last long in professional boxing if you take a lot of punches.
Whenever I'm out, I have a bit of a yearning to be in my house, to be able to shut the door on the world.
I have days where I feel like crap and I look at my body and I'm like, 'I haven't been able to work out as much. I can see my butt drooping a little bit.' And I'm just like, 'Oh well.'
Fear is not a motivating factor. You might be able to get a little bit more out of someone in the short term, but you will completely erode your business and your culture in the long term. You're going to lose all your good people. You're not going to have people tell you the truth, and it becomes the tradition.
People who keep a large snake in their apartment building, which happens quite a bit, all of a sudden, within two summers, have a 14-foot animal that's eating adult rabbits, and needs quite a bit of room and quite a bit of heat. That's the animal that gets put in the back of a pick-up truck and dumped into the Florida Everglades or the city lake, or just left on a doorstep - again, it's quite often the animal that suffers.
The true art is being able to take whatever the writer's done, and if it is a bit flimsy or it is a bit rushed or is just box-ticking writing, then the true artist would be able to make that come off the page and sing for an audience or a viewer. I'm still learning how to do that properly.
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