A Quote by Jo Nesbo

I write something that I believe I've made up, and it's only when a friend later points it out to me that I realise I've been writing about myself again. — © Jo Nesbo
I write something that I believe I've made up, and it's only when a friend later points it out to me that I realise I've been writing about myself again.
I write about what is getting to me at the time, about the things you need to talk about, but which would sound silly if you sat down and told them to your friend. I only write for myself, to get my emotions out. It's self-therapeutic.
For me, writing something down was the only road out...I hated childhood, and spent it sitting behind a book waiting for adulthood to arrive. When I ran out of books I made up my own. At night, when I couldn't sleep, I made up stories in the dark.
[Rejection] made me quit writing once. For six months. I started up again when my then seven-year-old son asked me to start writing again because I was too grumpy when I wasn't writing.
So writing about love or having it infuse the poems that I'm writing has never been something I've set myself to do, except when I write a poem for my wife, for an occasion, such as our anniversary.
I believe that, more than anything else, this grief of constantly having to face down our own inadequacies is what keeps people from being writers. Forgiveness, therefore, is key. I can't write the book I want to write, but I can and will write the book I am capable of writing. Again and again throughout the course of my life I will forgive myself.
The daily writing practice is something I used to hear batted around a lot in writing workshops - which is probably why I dropped out of all the writing workshops. I wish I could take credit for innovating a new approach to writing, but the truth is that I've managed to write books despite myself. I'm lazy and ungovernable and undisciplined, but I do have a lot of anxiety about never amounting to anything and ending up as a bag lady.
My only boss was the clock on the wall and my only friend, never really was a friend at all. I've traded love for pennies, sold my soul for less. Lost my ideas in that long tunnel of time. And I've turned inside out and around about and back and then found myself right back where I started again
I made the mistake of writing something very, very short about Obama for this website that I write fiction for, and my father told me never do that again. And he was right. I have nothing to add to a political conversation because it's not my area.
I made the mistake of writing something very, very short about Obama for this website that I write fiction for and my father told me never do that again. And he was right. I have nothing to add to a political conversation because it’s not my area.
You see an absolutely brilliant film later, as an adult, and you walk out thinking about what to have for dinner. Whereas something like Jaws winds up having a huge effect on me. If only my parents had been taking me to Kurosawa films when I was eight, but no.
I've had to really teach myself that when you're not feeling it, you shouldn't write anything down because you're going to end up coming back and re-writing it later. Whereas, if you write when you're feeling something, when you're really in the streak, then that's when you're going to get your best stuff.
There have been times when I've written something and it goes out and it comes back in a letter from some kid as to what they think about it and I've taken their analysis to heart so much that I have taken up his thing. Writing what my audience is telling me to write.
The writing process is more... it becomes a case of more like a diary for me. I mean, I write stuff down all day whenever I'm experiencing something that I think would be important for me to look at later on. You know, whether it be for writing lyrics or just for a memory, like, 'Oh, my gosh, I can't believe I was feeling that way at that time'.
I've never written anything that I haven't wanted to write again. I want to, and still am, writing 'A Few Good Men' again. I didn't know what I was doing then, and I'm still trying to get it right. I would write 'The Social Network' again if they would let me, I'd write 'Moneyball' again. I would write 'The West Wing' again.
To journalists my move from comics to films to best-selling novels was resembling those little evolutionary maps too much, where you see the fish, and then it can walk, and then it's an ape and then it gets up on its hind legs and finally it is a man. I didn't like that. I didn't like the fact that there was something rather amphibious about me - at least in their heads - back when I was writing comics. So I like continuing to write comics, if only because it points out that I haven't just started to walk upright or left the water.
I told myself that if I went to Compton High, and I made something out of the school, it would mean something to me later down the line because I started everything. And future kids would say, 'DeMar made it here; why can't I?' I wanted to stay home.
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