A Quote by Jo Swinson
There is, I think, far too much guilt generally in society around parenthood, about whether or not you breastfeed or whether or not you bottle feed. We know the evidence is very strong in favour of breastfeeding and the benefits of that, but it shouldn't mean we make people feel bad if they can't do that for some reason.
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The difference between writing where you know where to draw the line and writing where you're being way too mean is whether you can tell that the writer is not talking to family or friends anymore. Generally, if you say something bad about somebody on stage, you need to say two bad things about yourself. A lot of times, I think I'm the worst person in the room.
I constantly meet people who are doubtful, generally without due reason, about their potential capacity [as mathematicians]. The first test is whether you got anything out of geometry. To have disliked or failed to get on with other [mathematical] subjects need mean nothing; much drill and drudgery is unavoidable before they can get started, and bad teaching can make them unintelligible even to a born mathematician.
I'm about jobs. I'm about the fence. I'm about borders. I'm about a lot of things. I'm about our vets. I'm about strong military. You know, whether you break it down into men or women or anybody else, I mean, I think people want to hear that and I'm much better at it than Hillary Clinton is.
I think that, given that some people feel very embarrassed by it, it isn't too difficult to breastfeed a baby in a way that's not openly ostentatious.
I don't have an opinion about whether or not politics should appear more in fiction or not, generally. I think politics are a part of life, but a part of life that most people don't think about very much, most of the time. Or, people think about it superficially and they talk about it superficially because they don't know very much.
Hollywood people are filled with guilt: white guilt, liberal guilt, money guilt. They feel bad that they're so rich, they feel they don't work that much for all that money - and they don't, for the amount of money they make.
Some people are guilty when they win. Some people, "Ah, you know, it's so unfortunate, some people had to lose." I mean, even some modern-day competitors, athletes have a guilt complex about winning. They think it isn't fair. That's not how you win. You don't feel guilty when you wine, and you don't feel sorry for anybody about it.
You don't have to listen to those mean girls. They're just there to make you upset and make you feel bad about yourself. And you know, inside, they feel bad about themselves too. But they don't wanna admit it to anybody.
Own what you are, and I mean whether that's art, or whether that's fashion, or whether that's music, or whether that's acting, or whether that's politics, or whether that's literature; it's own what you are, and grab it, and, you know, be as prolific as possible.
I would love to just have the work do the talking. We're in positions where people ask us questions; they want to know about more than just the work. And it can go into areas where I've completely shot my mouth off, whether it's too much about my private life or being too opinionated about things in the world. I think the better thing to do - I've learned this from people far wiser than me - is to do very good, quiet work behind closed doors.
We often joke about men moaning about being ill, whether it's man flu or anything else. We want them to be silent and strong about these things. And that's quite dangerous when it comes to depression, because talking about it helps. People bottle it up until it's too late.
Sometimes I make things that people have very strong responses to. Whether that's art, I don't know. That's one of those words that doesn't mean anything. It's why I don't just use words.
When you're listening to a recording, you're supposedly listening to some aspect of the past in the present as you travel slowly into the future, but you also know there's a very strong likelihood that the future of that recording, whether you made it or whether you're listening to a Led Zeppelin record, is going to continue probably far beyond where you are.
I don't get in vote in whether or how people remember me when I'm gone. It's really dangerous to sit around and worry about it too much, for me. It gets me way too in myself to worry about what people are going to think about me when I'm not around anymore.
The big thing for me is to make films that you feel, whether you feel happy, whether you feel sad, whether you feel sick; it's to make the audience feel so that the next day they remember what they saw.
Whether you talk about the olive oil, whether you talk about Aceto Balsamico, whether you talk about Grana Padano, whether you talk about Mozzarella di Bufala. These are all traditional Italian products that are hard to beat, and they're easy to transport and buy. You don't have to do much around it. Just eat them.
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