A Quote by Jo-Wilfried Tsonga

Well, I like characters, players with personality, I don't like flat people. — © Jo-Wilfried Tsonga
Well, I like characters, players with personality, I don't like flat people.
An idea has no worth at all without believable characters to implement it; a plot without characters is like a tennis court without players. Daffy Duck is to a Buck Rogers story what John McEnroe was to tennis. Personality. That is the key, the drum, the fife. Forget the plot.
Some players out there don't really interact with the crowd - they're really serious - but I think it's part of my personality as well. I go out there, and I like to entertain. I like to put on a bit of a show.
I feel like a lot of girl characters in anything usually end up being either extremely tough or extremely ditzy. There's always some sort of extreme personality trait that they have. I like to try writing girls that feel like normal people, like normal women that you'd meet in real life.
I like characters. I like spirited characters whether they exist in fiction or real life. Whether they're the invention of artistic people or directors, musicians. I think music and art and fashion designers inspire me and I like characters.
Life was like a batch of biscuits without the baking powder: flat, flat, flat.
When I made the transition from player to coach, I evaluated myself and saw that I needed to improve my personality. I would fight with players - literally. I was 35, and you can't be like that; you have young players to guide. You have to transmit calm.
I would say that I have an aspect of my personality which is that I have no personality. That's why I work as an agent. I have the assumed personality of the people I represent. I am like a sponge.
Dhoni backs players as well. People like (Suresh) Raina, (Ravindra) Jadeja, and Rohit Sharma have developed under him as players and has some terrific qualities as a leader.
I like to play non-cardboard characters. I try and bring out the many complex layers in the personality of the characters I play.
Characters on stage should be flat, like clothes in a fashion show: what you get should be no more than what you see. Psychological realism is repulsive, because it allows us to escape unpalatable reality by taking shelter in the “luxuriousness” of personality, losing ourselves in the depth of individual character. The writer's task is to block this manoeuvre, to chase us off to a point from which we can view the horror with a dispassionate eye.
Well, to have some teams come at you like Montreal did, it’s definitely flattering, and I think it was good for me to also set a precedent for players like me and how important we can be to teams. That was something I was happy to do as well, you know? Sometimes players like me are maybe overlooked or not looked at as an important piece to the puzzle, but it was something I wanted to prove and wanted to show.
Just like how male actors get to play varied characters, I would also like to play characters that people don't normally see female characters portraying on screen.
Well, to tell you the straight honest truth, it was like a Grateful Dead cover band. I didn't feel - and nothing against the guys - I didn't feel that they were opening up like they should. I'll tell you what, with guitar players, Steven has what I like in guitar players.
Ben [Peeler] and I have known each other for a decade. He trusts my crazy ideas and spontaneous combustion and he gets the players I want and knows the kind of personality players I like. He has taste that I trust and that to me is more important than any technical things.
I don't like to write from a flat, cold position. You must like what you're doing very much or like the people -- either like them or hate them. You can't be indifferent.
We're taking the top iconic characters and bringing them to life as toys that our players can buy. We know that our players would like to play in both dimensions.
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