A Quote by Jo-Wilfried Tsonga

In our job you are constantly travelling, going in and out of different temperatures. — © Jo-Wilfried Tsonga
In our job you are constantly travelling, going in and out of different temperatures.
We are so busy constantly checking our own temperatures, we fail to notice the burning fevers of others.
I'm constantly moving and constantly travelling, and so it's really hard to maintain a relationship in that kind of environment.
Modern travelling is not travelling at all; it is merely being sent to a place, and very little different from becoming a parcel.
I am travelling to different places and talking to people about travelling litter-free, observing the wildlife, and respecting the host.
One of the downsides of the job is that I am travelling so much, and I don't have so much time to go out and socialise as people who have a more traditional job might do, so it's hard.
I don't want to start getting my little violin out, but travelling across the world constantly and staying in hotels is tough, man.
The Big Bang has gone away, but as far as Super String, that is suspicious for me. It all starts out with the notion of Big Bang, which if it were true, starts out with incredibly high temperatures. So they think [we] need to get these high temperatures for this broken symmetry; all this broken symmetry reunited, and we do not have enough energy in the whole galaxy to get to those temperatures, to prove their point. To me, that is the single flaw in Super String theory.
Nothing that you plan is going to work out. Everything is going to be totally different than the way you expected. And things will constantly challenge you. Wherever you look the world is not as solid it seems to be.
All of that is constantly operating when you not only learn, but when you recall. But as you recall in a different light, the weights with which something is more probably going to be or not recalled on the next instance, are going to be changed. So you're constantly changing the way, for instance, synapses are going to fire very easily or not so easily.
It only seems jarring when you look back on the work I've done. I think if you had to map that out at the beginning and you said, "Right, sit down, this is what you're going to be doing," you'd probably freak out. But I'm someone who really enjoys not being himself. So if you consider that, then it all sort of makes sense. And I just think that's the job of an actor. I guess that's the variation that you're talking about. It's probably a byproduct of just constantly looking for something different, because that's what I feel like I'm supposed to do.
We did 10 years of working and travelling constantly, and we were just knackered. I thought: 'I've got to take a break.' I felt like I was going mad. I decided to move to Cornwall.
I like travelling to different places and trying out different cuisines. I like experimenting with my food.
When I was a youngster, my dream was to play in the first team. I was constantly thinking, 'Will I make a career in football? Am I going to have to go out and get a job?'
Travelling is very difficult, you have to go to places with different climates and time zones. Travelling like that every single day through the year is definitely not healthy, but that's something I have to sacrifice if I want to play music.
I think I'm constantly trying to grow as a pitcher. You start going out there, you're learning stuff, you're finding different ways to try to get guys out. Trying to be creative.
My philosophy with my career is mostly to just mix it up with a little bit of everything in moderation. And that's what makes my job so great, is that I get to constantly do different things, put on different hats, be different people, and mixing up the genre really lends itself to that.
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