A Quote by Joachim Gauck

There is no German identity without Auschwitz. — © Joachim Gauck
There is no German identity without Auschwitz.
When we write about Auschwitz, we must know that Auschwitz, in a certain sense at least, suspended literature. One can only write a black novel about Auschwitz or - you should excuse the expression - a cheap serial, which begins in Auschwitz and is still not over.
There is no answer to Auschwitz...To try to answer is to commit a supreme blasphemy. Israel enables us to bear the agony of Auschwitz without radical despair, to sense a ray of God's radiance in the jungles of history.
Almost 20 percent of the people living in Germany today have a foreign background. The problem is that Germany can't really offer foreigners an identity because the Germans hardly have a national identity themselves. That is certainly a result of Auschwitz.
The larger the German body, the smaller the German bathing suit and the louder the German voice issuing German demands and German orders to everybody who doesn't speak German. For this, and several other reasons, Germany is known as 'the land where Israelis learned their manners'.
We have made it possible, without gold and without foreign exchange, to maintain the value of the German mark. Behind the German mark stands the German capacity for work, while some foreign countries, suffocated by gold, have been compelled to devalue their currencies.
But the European Union does not have a concept of national identity. It was set up to abolish that idea, not to abolish German national identity because that was trying to save itself.
Each human being has his or her own sexual identity and should be able to exercise that identity without guilt as long as they do not force that sexual identity on others.
One day in Auschwitz I became so dispirited that I couldn't carry on. They had given me a beating, which wasn't exactly a pleasant experience. It was on a Sunday, and I said: 'I can't get up'. Then my comrades said: 'That's impossible, you have to get up, otherwise you're lost'. They went to a Dutch doctor, who worked with the German doctor. He came to me in the barracks and said: 'Get up and come to the hospital barracks early tomorrow morning. I'll talk to the German doctor and make sure you are admitted'. Because of that I survived.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
If I can send the flower of the German nation into the hell of war without the smallest pity for the shedding of precious German blood, then surely I have the right to remove millions of an inferior race that breeds like vermin.
We cannot get by Auschwitz. We should not even try, as great as the temptation is, because Auschwitz belongs to us, is branded into our history, and - to our benefit! - has made possible an insight that could be summarized as, 'Now we finally know ourselves.'
At Auschwitz, not only man died, but also the idea of man. To live in a world where there is nothing anymore, where the executioner acts as god, as judge-many wanted no part of it. It was its own heart the world incinerated at Auschwitz.
I've written and translated my own poems from English to German. It's basically a summation of my identity as it stands now.
If you go back all the way to the 1920s, filmmakers in Hollywood changed the identity of villains from German to Russian.
German is more familiar now since I live part of the year in Rome and part in the German part of Switzerland. But it's not difficult to sing in German; it's difficult to feel in German. This takes time. It's a culture.
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