A Quote by Joan Allen
I think the people who cast films tend to think of me in regard to strong women with integrity and a lot of it has been very good.
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I don't tend to get cast in the theatre much. People assume I come with all this baggage. But they do cast me in films. In films, I'm a nobody.
I think despite what we've seen on TV, people like seeing women and knowing about women's stories and their struggles and their truth. I think we've seen it in a lot of these shows - when there's a cast of all women, it does very well.
It was a great joy for me to develop a strong female character in the spirit of an Icelandic woman. Icelandic women tend to be very strong and very independent, and I think that came in very handy.
When filmmakers are kept from making films, there's a lot of different reasons why. Sometimes you work on a film and cast it and do all the work and can be just a month away from shooting, and all of a sudden, the whole thing goes up in smoke. But I do think the advent of a digital revolution is going to provide people with opportunities to make films that they never would have had before. I think you can do some pretty credible stuff now with very, very little money. Which I think is great for young filmmakers.
I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
I think that we're in a really amazing time, where there are really a lot of really fantastic female actresses and comedians. I imagine there's just a lot of opportunity for women to have powerful roles. Or it's just that there's more women writing TV. Women tend to maybe write strong women.
When you have to cast movies from a producer's standpoint - when you've been on the other side of casting sessions - you just get a completely different perspective on what that process is of getting a job for an actor. You realize how completely impersonal it is. If anything, I think it's made me a lot less sensitive. So much of this is logic and business, and it's got nothing to do with whether people are good or not. Unfortunately, I think that's one of the last things that gets factored in when you're assembling a cast.
I'm very pessimistic about adaptations from one medium to another. I've got a very kind of primitive, Puritan view of it. I tend to think that if something was derived for one medium, then there's no real immediate reason to think that it's necessarily going to be as good or better if adapted into another one. There have been very good stage plays that have made some very good films. But there are not so many differences between the theater and the cinema as there are between the cinema and, say, reading a book or reading a comic.
If you see films which have been successful over the last 10 years, the women in them have been in their 20s. 'The Dirty Picture' and 'English Vinglish' are two I can think of. But there are very few good roles for women in their 30s.
You look at Kerry Washington on 'Scandal,' and a lot of the women on that show in general are very strong, and I think we're seeing it more, and I'm excited because when I was doing Dana Gordon on 'Entourage,' there weren't a lot of strong female characters, which is why I think she came out as such a standout character.
I have always actually been with and attracted to very strong women, and I think I've learned a lot from them.
My fellow actors inspire me a lot and really good writing inspires me. And then trying to stick to the decision to only do something that I think will challenge me and that I, personally and very subjectively, I think is good not do something because I think it will bring me a lot of money or bring me a lot of awards. I've tried to very, very rigorously be highly subjective about what I do. And that's something that I think I have basically lived by.
For me, there's a lot of erasure of bisexuality. I think a lot of people - especially in women - they tend to have really bad responses to it.
I think every film is like a team game, especially for me. I have always got films which have a strong cast.
Women are very special. I think it's a very special time because a lot of things are coming out and I think that's good for our society and I think it is very, very good for women. And I'm very happy a lot of these things are coming out. And I am very happy - I'm very happy it's being exposed.
When I was a kid, to me, all women that I think were beautiful always tend to be ethnic of some sort. To be honest I think it's the eyebrows - the powerful, strong eyebrows.
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