A Quote by Joan Allen

I wasn't one of those kids who was like, 'Get me to New York. Get me to a big city.' I was always much more shy. All I knew was that I loved to act. — © Joan Allen
I wasn't one of those kids who was like, 'Get me to New York. Get me to a big city.' I was always much more shy. All I knew was that I loved to act.
I wouldn't say that a big family is for everybody, and I've brought my kids, for example, to New York City, and I can tell you it's much harder to raise that number of kids in a city like New York than it is to raise them in rural Wisconsin where I live.
I didn't realize what a love affair I would have with big city life until I got to New York City. In a place like New York, granted it's utterly unique, you can get and have and do anything you want at any time of any day. It's bursting with culture and the cream of the crop in all walks of life. That sort of energy really excites me.
In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.
New York City in life was much like New York City in death. It was still hard to get a cab, for example.
I was in New York City for September 11th, and I was there for the 2003 blackout. I think in hindsight, you get a real perspective as to how unique those moments of crisis are in a place like New York City.
I don't necessarily notice too much of a change in the sense of the kind of matches that I have in say a Los Angeles as opposed to a New York City. The big difference that I notice, and this is what all love as New York city and Philadelphia has treated me fantastically, but man, you cannot screw up in Philadelphia and New York.
I was always much more shy. All I knew was that I loved to act. But I don't know about the other part of it. I'm not sure I had the chutzpah to go and prove yourself.
It is an art form to hate New York City properly. So far I have always been a featherweight debunker of New York; it takes too much energy and endurance to record the infinite number of ways the city offends me.
I went to Wellesley College, and it was really hard for me to get a job after I graduated. I would go into places where I would not see any black people at all in Boston - like, zero. And then in publishing in New York City, it was pretty much the same. I knew that it wasn't about the value of my work.
I always knew from that moment, from the time I found myself at home in that little segregated library in the South, all the way up until I walked up the steps of the New York City library, I always felt, in any town, if I can get to a library, I'll be OK. It really helped me as a child, and that never left me.
I love New York. It's given me so much as a designer. When I moved here, I wanted to tap into the glamour of the city immediately. More than anywhere else, New York offers itself up - you arrive and get a rush in a flash. It's dazzling. Everywhere you look, there is decoration, from a pair of jewel-encrusted shoes in the window in Bergdorf Goodman to the Chrysler Building. And New York is incredibly democratic. Everyone is packed into this tiny space. You are confronted with all manner of people, and I love that.
There is hardly a place in New York that you can't walk a block and a half and get a cup of coffee. Believe me, I've been all over the world. There's no place like that but New York City.
Growing up so close to New York City, I always loved going to the city, but I'd be disappointed because songs about New York always made it seem so magical and perfect, and when I was younger, I just thought it was busy and dirty.
No city owns me, you know what I'm saying? I'm from New York, but no city owns me. Nobody can bottle up my sound and box me in. Yes, I am a rapper, but am I a New York rapper? No. I am from New York, I love New York to death, but I will not conform myself to one place, no.
I always knew from that moment, from the time I found myself at home in that little segregated library in the South, all the way up until I walked up the steps of the New York City library, I always felt, in any town, if I can get to a library, I'll be okay. It really helped me as a child, and that never left me. So I have a special place for every library, in my heart of hearts.
I took over a city that had two riots in four years and I had none. And they knew they couldn't riot on me. And when I saw the people on the street in New York City, I said to myself, you're breaking Giuliani's rules. You don't take my streets. You can have my sidewalks, but you don't take my streets, because ambulances have to get through there, fire trucks have to get through there.
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